Showing posts with label Aishwarya Rai. Show all posts
Showing posts with label Aishwarya Rai. Show all posts

Thursday, November 18, 2010

Guzaarish - Movie Review

Read more! Cast :: Hrithik Roshan & Aishwarya Rai

Bollywood appears to be inclined towards exploring rare illnesses/disorders/disabilities, with directors casting megastars in characters to raise awareness about the lesser-known ailments. In GHAJINI, Aamir Khan had short-term memory loss [Anterograde Amnesia]. In PAA, Amitabh Bachchan played a child afflicted with Progeria. In MY NAME IS KHAN, SRK was shown suffering from Asperger Syndrome. In TAARE ZAMEEN PAR, Aamir Khan portrayed problems of Dyslexic children. In BLACK, Amitabh Bachchan was shown succumbing to Alzheimer's. In KARTHIK CALLING KARTHIK, Farhan Akhtar portrayed a Schizophrenic.

This is not the first time that master film-maker Sanjay Leela Bhansali has attempted a movie that has the protagonist suffering from a serious disability. In GUZAARISH, Hrithik Roshan suffers from Paraplegia, a complete paralysis of the lower half of the body, including both legs, usually caused by damage/injury to the spinal cord.

Bhansali has always been known for two things. The first thing is, of course, the visual splendour in his films [which was quite evident in HUM DIL DE CHUKE SANAM, DEVDAS and SAAWARIYA] and the second thing that he takes inspiration from various stories. The critically acclaimed BLACK was inspired from THE MIRACLE WORKER [a 1962 film] and SAAWARIYA from 'White Nights', a Russian short story.

There's talk that GUZAARISH is a remake of Christopher Nolan's Hollywood movie THE PRESTIGE, which, let me clarify, it is not. GUZAARISH brings back memories of two films, which may be coincidental: The Spanish Oscar and Golden Globe winning film MAR ADENTRO aka THE SEA INSIDE [2004], which, in turn, was based on a real-life story of Ramon Sampedro and WHOSE LIFE IS IT ANYWAY?, a television play which was later adapted into a play [theatre] and much later into a film [1981].

Bhansali has worked himself to the grind and his presence is felt in every frame of GUZAARISH. There is an inimitable intellect that Bhansali brings to his movies. Bhansali is also known to extract the best performances from his actors. In a light-hearted vein, I would go to the extent of saying that Bhansali has the ability to make a dumb man speak and a sightless man see. His devotion and dedication towards his craft is truly inspirational and motivating. In GUZAARISH, Bhansali puts behind all the glitter and glamour and comes up with yet another unique and sensitive story told through a series of flashbacks.

Final word? GUZAARISH is special in more ways than one. In my individualistic opinion, it easily ranks amongst Bhansali's best works so far. Just don't miss this one!

Set in Goa, it tells the story of an accomplished magician Ethan Mascarenhas [Hrithik Roshan]. Ethan suffers serious injuries when one of his magical trick goes horribly wrong, turning him to a Paraplegic. Confined to a wheel chair, Ethan becomes a Radio Jockey at an FM Station called Radio Zindagi. His show talks of hope, laughter and sunshine and it's difficult to imagine that the man behind it has been immobilized with a spinal injury for the last fourteen years of his life. Sofia [Aishwarya Rai Bachchan], a nurse, takes good care of him; they share a silent love.

Ethan files a petition in court for mercy killing. This decision of Ethan leaves Sofia stunned. Ethan takes the help of friend-lawyer Devyani [Shernaz Patel] to support his appeal. Even Ethan's mother Isabel [Nafisa Ali] supports him in his petition, although Ethan is persuaded by his physician Dr. Nayak [Suhel Seth] to retract his case. Alongside all this, Omar [Aditya Roy Kapur] enters Ethan's life with the aim of learning magic from him. Impressed by Omar's love for magic, Ethan agrees to pass on his legacy to him.

Only a sensitive raconteur can do absolute justice to a challenging subject like the one in GUZAARISH and Bhansali seems the right candidate for an extremely tricky theme like mercy killing/Euthanasia. The story is complex and can only be narrated by a storyteller who has the art of telling stories most convincingly. Sure, the protagonist in GUZAARISH wants to end his existence, but that doesn't mean the film is disheartening or unsettling. Clearly, the writing [screenplay: Bhavani Iyer and Bhansali] is smart, taut and absorbing.

GUZAARISH has a number of sequences that bear the unmistakable stamp of a genius. Sample these?

  • The courtroom sequence and Aishwarya's outburst towards the end of it.
  • The hearing of the petition at Hrithik's house.
  • Hrithik's act going wrong and the near-fatal accident.
  • The finale.

Any negatives? The generous usage of English in the narrative. The language is sure to act as a barrier in the hinterland specially. Agreed, the film is set in Goa, they are bound to speak that language, but despite everything, Hindi is a must for a pan-India appeal.

Irrespective of how his films fare at the box-office, Bhansali's films have always been embellished with rich and cherished music. The songs continue to linger in the hearts of the listeners with their dulcet and soothing tunes. After legendary Satyajit Ray and Vishal Bhardwaj, Bhansali is the next accomplished film-maker who has himself created the music of his film. The songs in GUZAARISH are more inclined towards poetry that's earthy and contemporary. However, it does take some time for the listeners to sense the pulse of the music. 'Tera Zikr Hai Ya Itra Hai' is a limerick to exquisiteness, 'Sau Gram Zindagi', with its philosophical tone, leaves a lasting impression, the title track 'Guzaarish' casts a spell on you and 'Udi' is, of course, memorable.

GUZAARISH has been magnificently shot. The indoors as well as outdoors [the gorgeous panorama] add so much to the film. There's no refuting that cinematographer Sudeep K. Chatterjee has created some really alluring and enthralling visuals. The very effective and subtle background score [Tubby and Parik] of GUZAARISH is its very backbone. The feelings of intrigue, anxiety, anguish and romance come across so well. In fact, for the very first time, I felt that I was not hearing the background score, I was feeling it. Dialogue [Bhavani Iyer and Vibhu Puri] belong to high standards that touch your soul. Costumes [Sabyasachi] are absolutely wonderful; they gel well with the setting and mood of the film.

Hrithik and Aishwarya are seen in a lackluster facade and that's what makes the characters so plausible. While Hrithik is seen sporting a beard and has even put on weight, Aishwarya is seen in sober outfits. In fact, the two actors have gone through a drastic appearance change and both pressurize you to believe that they are indeed Ethan and Sofia. It must be said that Hrithik and Aishwarya exude a certain dignity and elegance, much needed for a sensitive film of this magnitude and caliber.

It must have been an arduous task for Hrithik to carry off the Paraplegic character of Ethan Mascarenhas, but he depicts the part with flourish. It's a great risk in filmy norms to have the hero of the film almost entirely on a wheel chair, but Hrithik has never hesitated or been irresolute in putting himself to adverse conditions, in order to achieve excellence, in whatever character he chooses to depict. Kudos to Hrithik for accepting a role that's truly opposite to his larger-than-life image and portraying it with elan.

Aishwarya, as Ethan's nurse who is the epicenter of his world, has approached this role with rare understanding, not going overboard even once. So effective is she that she not only influences you but also compels you to believe that their love is solid in its quiet strength and also spirited in their verbal sparring. The sensational chemistry, which sizzled the silver screen in DHOOM 2 and JODHAA AKBAR and won hearts all over, sizzles yet again, but this time in a distinctive aspect.

Aditya Roy Kapur is truly outstanding in a pivotal character. Shernaz Patel is exceptional. Nafisa Ali makes her presence felt in a small but significant role. Suhel Seth is in terrific form. Moni Kangana Dutta is okay. Vijay Crishna [judge] is effective. Rajit Kapoor does complete justice to his role. Makarand Deshpande leaves an impression. Ash Chandler and Achint Kaur lend good support.

On the whole, GUZAARISH is an invigorating tale. Bhansali, as a film-maker, has scaled several notches above his past accomplishments to create a near-perfect cinematic experience. The highpoint of the motion picture is the magnificently penned story of an incapacitated and debilitated man who desires to end his being with dignity. The film sedu.ces the viewer with a strong emotional quotient, soulful music and of course, the crackling and wonderful onscreen chemistry between Hrithik and Aishwarya. Without doubt, GUZAARISH is one of the most profound, insightful and enriching dramas of the year.

Download Guzaarish MP3 Songs
01 - Guzaarish@review-of-movies.blogspot.com
02 - Sau Gram Zindagi@review-of-movies.blogspot.com
03 - Tera Zikr@review-of-movies.blogspot.com
04 - Saiba@review-of-movies.blogspot.com
05 - Jaane Kiske Khwaab@review-of-movies.blogspot.com
06 - Udi@review-of-movies.blogspot.com
07 - Keh Na Saku@review-of-movies.blogspot.com
08 - Chaand Ki Katori@review-of-movies.blogspot.com
09 - Daayein Baayein@review-of-movies.blogspot.com
10 - Dhundhli Dhundhli@review-of-movies.blogspot.com

01 - Guzaarish@review-of-movies.blogspot.com
02 - Sau Gram Zindagi@review-of-movies.blogspot.com
03 - Tera Zikr@review-of-movies.blogspot.com
04 - Saiba@review-of-movies.blogspot.com
05 - Jaane Kiske Khwaab@review-of-movies.blogspot.com
06 - Udi@review-of-movies.blogspot.com
07 - Keh Na Saku@review-of-movies.blogspot.com
08 - Chaand Ki Katori@review-of-movies.blogspot.com
09 - Daayein Baayein@review-of-movies.blogspot.com
10 - Dhundhli Dhundhli@review-of-movies.blogspot.com

Watch Guzaarish Videos




Wednesday, November 3, 2010

Action Replayy - Movie Review

Read more! Cast :: Akshay Kumar, Aishwarya Rai, Neha Dhupia, Randhir Kapoor, Om Puri, Kirron Kher, Rajpal Yadav

'Action Replayy' is one film which is arriving as an underdog this Diwali. The film doesn't scream and excites audience by proclaiming - 'Hey, look I am cool' or 'See, Akshay Kumar would be seen as a Mr. Smart Know All' once again' or 'The gags are such that you would fall off your seats'. Instead it does it all in a subtle manner when it comes to treatment though the look of the film does gain audience attention, courtesy the 70s setting that had a psychedelic flavour to it.

No wonder, when the curtains go up, the film begins and a few minutes later, Akshay is introduced as a nerd from the 70s, everyone collectively goes 'eeks' along with his son (Aditya Roy Kapoor) who has made a visit to the past. Forget the flamboyance or the energy that one expects from Akshay Kumar, he actually gets into a garb as never worn before. Donning an ill fitting 'kurta-pyajama', a pair of TV screen style glasses, a 'champu' haircut, an awkward walk and last but the most visible aspect of his personality - two protruding teeth, Akshay is as unlike a hero as one can expect from him or any other supporting actor filling a frame.

Vipul Shah gets the retro flavour bang on right from the time opening credits start rolling. The anthem music, background score, colours, costumes, sets, props - everything blends in truly well to actually traverse audience to the era gone by.

This is not all as the characters too turn into the kind that one expects from the 70s. Aishwarya Rai as a talkative mini skirted young tomboyish girl could well have taken a cue from Neetu Singh, Rannvijay Singh as a harmless villain is a diluted version of Ranjeet & Prem Chopra while Rajpal Yadav is a mini version of the boisterous Rajendra Nath. However, Akshay does something that has never been done by an actor either from the 70s or the current times and this is where the win of the character lies.

So while Aditya tries to develop love between next door neighbours Akshay and Aishwarya, everything that is possibly goes wrong between the duo. A street-smart Ash makes life miserable for Akshay and though he has a soft corner for her, he manages to let go off his feelings when he sees her get out of a mini skirt and don a saree. His heart goes 'dhak dhak' and he is all set to propose to her, but not before he goes through some real transformation. It is time for some 'awaaz neeche' and the game of one-upmanship as he is the one to take the upper seat now with Ash eventually falling in love with her.

A storyline as simple as that has to be sustained by peppering the screen with some interesting ingredients. This is something that is made possible through some fantastic tunes that have been put in place by Pritam. 'Zor Ka Jhatka', 'Chann Ke Mohalla' and 'Ae Bekhabar' arrive one after another and are a treat for the audience. There is a medley of four songs (set in a dance competition) in the second half of the film which is immediately followed by a love song (Tera Mera Pyaar); something that will have mixed reactions from audience as there are too many songs that come in one go.

This is immediately followed by a chase sequence, hence leading to a climax which seems to be set in a Priyadarshan/Anees Bazmee mode. For those who had liked the subtle yet engaging narrative of the film so far, this part of the film has a different flavour to it, something that may entice different reactions from different segments (mass v/s class) of the audience.

Coming back to the film in totality, to its credit there is no dull moment. While some of the fun sequences (Akshay proposing to Ash for the first time in a garden, the series of 'awaaz neeche' episodes, the one where Ash brings a cake for Akshay) do bring on the laughs, there are a few lump in the throat moments as well (Akshay touching Aditya's feet, his sob story on the reason behind his personality). What makes 'Action Replayy' further endearing is the chemistry between Akshay and Ash, something which is unconventional and yet makes one wonder that why the two had never been paired together.

Amongst other actors, Aditya turns out to be a surprise package as he does justice to his lengthy role in the film. He has a pleasant screen presence, is confident and quite natural. Om Puri and Kirron Kher are as usual, Rajpal Yadav is controlled, Rannvijay Singh decent while Randhir Kapoor and Sudeepa Singh are hardly there. Neha Dhupia has a miniscule screen time in a friendly appearance though she makes her presence felt in 'Zor Ka Jhatka'.

Overall, 'Action Replayy' turns out to be a clean musical entertainer that has a young feel to it without turning loud and brings with it an appeal that would cater to audience across all age groups. If in look out for some clean entertainment this Diwali, step into 'Action Replayy'; you would enjoy some harmless fun that would follow in those two hours.


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Thursday, October 14, 2010

Guzaarish - Music Review

Read more! Cast :: Hrithik Roshan & Aishwarya Rai
Despite a minimal instrumental backing, Sanjay Leela Bhansali proves his arranging acumen in the ambient title song. The harmonica, the violin have all been perfectly placed to make the song instantly addictive. Also helping it on its way is the rendition by KK and Shail Hada. That said, one cannot ignore the resemblance to tracks from some of his older movies, particularly HDDCS’s title song. Sau Gram Zindagi is a very 90s-sounding ghazal-based tune given a modern orchestral packaging, and coming in Kunal Ganjawala’s voice it works quite well. Shail Hada reappears with Rakesh Pandit to deliver the poem-like Tera Zikr. Though the poem-line rules out an attractive tune for the song per se, SLB kind of makes it up with the arrangement. And wonderful singing by the vocalists, especially Rakesh.

And then things start going wrong. In Saiba, Bhansali’s attempt to fuse the Latino sound with Vibhavari Joshi’s semiclassical vocals falls flat. Somehow they don’t seem to meld well. KK’s Jaane Kiske sounds quite a bit like the title song in its general feel, but lacks the quality the latter has in orchestration. The only thing that keeps the track going is KK’s reliability. The composer bounces back with the next track, Udi, where the Arabic elements in arrangement make for a wonderful listen coupled with Sunidhi’s exuberance.

In Keh Na Sakoon SLB once again returns to the orchestral melancholic theme of arrangement and ends up being one too many in that line. Shail Hada does a good job behind the microphone but that is not enough to prop this one up. Chaand Ki Katori is an excellent display of Harshdeep Kaur’s vocal brilliance and it is her singing for major part that makes the song enjoyable. Daayein Baayein sounds like a mellow version of Saawariya’s title song and works in a similar manner, KK doing the honors for a third time. Dhundhli Dhundhli is credited to Shankar Mahadevan everywhere on the net, who the vocalist definitely is not. Roop Kumar Rathore may be. Apart from that conflict of facts I found nothing very interesting about the track, the orchestral arrangement getting way too tedious by now.

A decent debut as composer from Sanjay Leela Bhansali which would have been much better had he cut down on the number of songs, especially the similar-genre ones. But that was the case with Saawariya too. One would have expected SLB to learn from his past mistakes. Hope he’s done that at least on the movie front.

Download Guzaarish MP3 Songs
01 - Guzaarish@review-of-movies.blogspot.com
02 - Sau Gram Zindagi@review-of-movies.blogspot.com
03 - Tera Zikr@review-of-movies.blogspot.com
04 - Saiba@review-of-movies.blogspot.com
05 - Jaane Kiske Khwaab@review-of-movies.blogspot.com
06 - Udi@review-of-movies.blogspot.com
07 - Keh Na Saku@review-of-movies.blogspot.com
08 - Chaand Ki Katori@review-of-movies.blogspot.com
09 - Daayein Baayein@review-of-movies.blogspot.com
10 - Dhundhli Dhundhli@review-of-movies.blogspot.com

01 - Guzaarish@review-of-movies.blogspot.com
02 - Sau Gram Zindagi@review-of-movies.blogspot.com
03 - Tera Zikr@review-of-movies.blogspot.com
04 - Saiba@review-of-movies.blogspot.com
05 - Jaane Kiske Khwaab@review-of-movies.blogspot.com
06 - Udi@review-of-movies.blogspot.com
07 - Keh Na Saku@review-of-movies.blogspot.com
08 - Chaand Ki Katori@review-of-movies.blogspot.com
09 - Daayein Baayein@review-of-movies.blogspot.com
10 - Dhundhli Dhundhli@review-of-movies.blogspot.com

Watch Guzaarish Videos


Thursday, October 7, 2010

Action Replayy - Music Review

Read more! Cast :: Akshay Kumar, Aishwarya Rai, Neha Dhupia, Randhir Kapoor, Om Puri, Kirron Kher, Rajpal Yadav

There are good expectations from the music of Action Replayy. After all more often than not, music of Vipul Shah has been popular with the masses. Though London Dreams couldn't find a wider audience, music of Namastey London, Waqt as well as Aankhen had worked with the audience. Even otherwise, his production Singh Is Kinng boasted of chartbuster music. With Pritam at the helm of affairs who pairs up with his lyricist partner Irshad Kamil all over again, you do expect a good soundtrack. However, you are not quite sure about the genre it would belong to. Whether the music would turn out to be out and out romantic or would it have a strong element of fun to it? Let's find that out.

What catches your attention even before you play on the album is the sheer number of songs that have been included in Action Replayy. Really, after the likes of Ajab Prem Ki Ghazab Kahani or a Love Aaj Kal [incidentally both of them have Pritam as a composer], Action Replayy has to be the heaviest album around. There are as many as nine distinct songs with remixes of four of them. For an Akshay Kumar starrer, this has to be the biggest musical album ever since one can remember.

First to arrive is 'Zor Ka Jhatka' and call it incidental but the song indeed leaves a 'zor ka jhatka' from the very first note. This one is a thumping hit for sure, as evidenced in the manner it keeps a relentless pace right through its four minute duration. Indian in appeal and carrying a theme (evils of marriage) which is not hard to relate, 'Zor Ka Jhatka' is a fun track that has Daler Mehndi pairing up with Richa Sharma. Both the singers thoroughly enjoy their stint behind the mike and this is visible in the energy that comes along. A sure shot chartbuster which has Master Salim singing for the 'remix version'. However, it is the Daler Mehendi version you want to go back to.

A complete mood shift is enabled with 'O Bekhabar' which has a distinct Yash Chopra feel to it. Swiss Alps and chiffon sareers aren't difficult to be visualised in this romantic track where Shreya Ghoshal gives yet another good account of herself. This one belongs to the kind of Bollywood tracks that have never failed for decades. Pritam along with Irshad Kamil grasp the 'pyaar mohabbat' theme well and present a melodious song to the audience that they won't mind listening on a repeat mode.

If you have seen the promos of Action Replayy, you wouldn't have missed listening to the sound of 'Nakhre'. A fun celebration track that brings on a carnival affect, 'Nakhre' is a true blue retro track that has singer Francois Castellino getting the Elivs Presley mood recreated. While the intentions are noble here and the core tune right as well, it is the singing that makes one a tad dissatisfied. In an attempt to recreate the Elvis magic, the final result isn't as desired that makes one feel that 'Nakhre' (which also appears in a 'remix version') could have been far better.

However, the disappointment doesn't stay on for long as Sunidhi Chauhan and Ritu Pathak come together for the 'holi' number 'Chhan Ke Mohalla'. Really, this one turns out to be as instantly catchy as 'Zor Ka Jhatka' and turns out to be yet another chartbuster knocking on the doors. With a Laxmikant Pyaarelal flavour to it, 'Chhan Ke Mohalla' reminds one of their 70s compositions and is instantly likeable. Also, there is an instant element of seduction to it, something which is expected from a 'holi' number, which further makes one listen to the 'remix version' with added anticipation.

What comes next though is a song straight out of Pritam territory with 'Tera Mera Pyaar' turning out to be a song that would have been gladly picked up by Bhatts or Imtiaz Ali. A soothing love song with Karthik, Mahalakshmi and Antara Mitra doing quite well to get the lovey-dovey mood on, 'Tera Mera Pyaar' (also arriving later in the 'remix version') continues to add on to the different moods of Action Replayy. By this time around, one is sure that the soundtrack is a mix of love songs as well as fun numbers which leads one to check out what next is in store.

This is the reason why one is not surprised when it is a fun dance number that comes in immediately. 'Dhak Dhak Dhak' has Mika going ballistic and after hearing it a couple of times, you too join all the fun. With a core Indian feel to it, 'Dhak Dhak Dhak' - a dance number - never really rests and maintains its tempo right from start till the end.

Next to arrive is 'Luk Chup Jaana' which is yet another track that has the potential to make it into the charts. This one again requires just half a listening to realise that it has a Pritam stamp all over it. In fact one is surprised that this well orchestrated and arranged dance number sung by Tulsi Kumar and KK hadn't arrived in the album a little earlier. It really deserved to and if promoted well, could be one of the highlight tracks in the film.

Even with so much to offer, the platter doesn't get empty with Pritam churning out yet another number - this time a rock track - 'I Am Dog Gone Crazy'. Though the lyrics suggest an out and out whacky number, which is not really the case as singer Suraj Jagan keeps his vocals under control. Rather than turning out to be hardcore rock that leads to a restricted audience for itself, it stays within boundaries to auger well with the quintessential Bollywood followers as well.
Shreya Ghoshal, the only singer in the album to enjoy two solo tracks for herself, returns with 'Baki Main Bhool Gayi'. A love song that has a definite tempo to it and moves ahead with some racy beats, 'Baki Main Bhool Gayi' may not be the chosen one from the crowd. Still, as a part of the package in Action Replayy where there is no full moment, this last song in the album as well manages to make its own contribution.

Action Replayy is a fun album and better than what had initially expected. In fact while it is 'Zor Ka Jhatka' followed by 'Nakhre' and 'O Bekhabar' which are being currently promoted, there are quite a few other songs that deserve to find attention for themselves. With exactly a month to go for the release of the film, one would definitely want to see more of 'Chhan Ke Mohalla', 'Luk Chup Jaana' and 'Tera Mera Pyaar' at the least. An entertaining album that doesn't have a single dull moment.

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Thursday, June 17, 2010

Raavan - Movie Review

Read more! Cast :: Abhishek Bachchan, Aishwarya Rai, Vikram, Govinda, Manisha Koirala, Ravi Kishan, Nikhil Dwivedi, Tejaswini Kolhapure

Here comes the biggest release of Indian film industry and it’s really a greatest show as Manirathnam would definitely never let any down now. We have interesting excerpts of review for Manirathnam’s upcoming film ‘Raavan’ slated to hit screens tomorrow. This isn’t a full-fledged review as we don’t want to reveal the complete status and break down your expectation levels.

Firstly, it’s all about Vikram, who just overshadows everyone over the screens in spite of Abhishek Bacchan donning the lead character. May be Aishwarya Rai was good at certain levels and the films that established her in a completely amazing manner were few. You can easily point them out like ‘Iruvar’, ‘Guru’ and ‘Jodha Akbar’. Undoubtedly, the actress sweeps out every films and establishes her in a newer way.

The film revolves around three characters: Beera (Abhishek Bachchan), Ragini (Aishwarya Rai Bachchan) and Dev Pratap Sharma (Vikram).

Despites every conflict of opposition, Dev – a righteous cop and Raghini – a classical dancer get married. Soon they move together to the deep-rooted region of Lal Maati, a rural town in North India. This place has no regards for the police and court law, but in the hands of Beera (Abhishek Bacchan). Being a man with his own principles and handling the issues down his way (partially based on Maoist groups), he has no problems until Dev Pratap Sharma enters his way. On a mission to put an end to Beera’s realms, Dev tears the things down as it leads to unexpected twists with shocking and surprising turns.

Broken down in spirits as his happiness is completely lost through his close blood relation, it’s turn for him to retaliate. It is just as you expected as Beera kidnaps Raghini only to find the justice in his own way.

But then, things are completely gonna be different as the journey that upholds in second hour with more characters involved in this drama will surely entertain you with a different dimension.

We have a small notice for the audiences, who have decided to watch the film. Before watching it, do not expect Manirathnam to go by the customary features.

At the end, there will nothing define as who was wrong and who was right? It is just as it happened with Akira Kurusowa’s. The ultimate decision about the right judgment lies in the hands of no one, but you. Might be for the situation, there may be few debates popping up sooner after the show is over as few people may advocate for Beera, while others Raghini and Dev.

Unlike other films, it’s best to make few points on the technical aspects. This is outstanding and you could have guessed it just with the list of the technicians. First of all, Manirathnam’s ability to shoot major portion of the film besides, inner and nearby locations of waters has to be appreciation. The backdrops of locations maybe different, but the continuities have been strictly followed as audiences may not feel the difference anywhere.

In fact, the story’s proceedings are mostly happening over there. You would not have found any sequences related to an unexpected character proposing the ladylove in water. Yes, the scene where Abhishek Bachchan expresses his love for Aishwarya between the waters is simply superb and for sure there are possibilities of audiences keeping quiet with shock or may freak out raising for applauses.

For the performance, Abhishek Bachchan is exposed in a completely different manner from Manirathnam’s previous films Yuva and Guru. Try to grasp on his performance of Aishwarya Rai, the victim trying to attack him and yet he reciprocates with a different gesture. But the man who steals the show is South Indian actor Chiyaan Vikram. He is fit and more perfect and this one does not look like debut film in Hindi. He is so well versed with dialogues. His introduction is not as formal as it happens with his previous Tamil films.

When it comes to dialogues, Aishwarya Rai gets more footage just as she emotes well wedged between confusions on finalizing her life’s way.

The supporting actors like Ravi Kissan and Priyamani (one of the important characters in this film) have done the best performances. But some of the conversations pertaining between every character look like a stage play. Vikram’s body language speaks more than his dialogues while Govinda has got far away from those clownery acts. Every character has its own definitions and conclusions as director Manirathnam does justice to the roles he has designed.

More than songs, the background score by A.R. Rahman will surely receive more welcome as the musician has well performed enhancing the breathtaking shots of Santhosh Sivan. But it’s weird to see that Manirathnam’sGURU’ climax shot of freeze-and-frame is used at more sequence. For exemplification, the ‘KATA KATA’ has similar shot that causes a sort of pain in the neck. It could have been done even without it. Sreekar Prasad’s editing is crisp as before as he doesn’t try anything new. But the best of all picturing is 'BEHNE DE' that has everything superb - music, camera, lyrics and performing levels of actors.

There are some emotional criteria involving Abhishek Bachchan and Priyamani and their heart-binding scenes at certain portions will attract the audiences of all centres.

On the whole, Raavan is a great movie at Indian standards that will be regarded as the best flicks of contemporary period.

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Saturday, April 24, 2010

Raavan - Music Review

Read more! Cast :: Abhishek Bachchan, Aishwarya Rai, Vikram, Govinda, Manisha Koirala, Ravi Kishan, Nikhil Dwivedi, Tejaswini Kolhapure

Raavan is an upcoming Hindi movie of Bollywood starting with Abhishek Bachchan, Aishwarya Rai Bachchan and Vikram in the direction of Mani Ratnam. A. R. Rahman is the music director of the movie. Music of the movie is launched on 24th April, 2010. Raavan will hit Indian cinemas on 18th June, 2010. Lyricist of the film is Gulzar.

Behene De” song of Raavan music is sung by Karthik and Mohammed Irfan. The song tunes on very slow-paced Nagara music. The song has clap music on mix voices lyric. Lyric of the song is very fast on its thematic music. Resembling the style of Taj Mahal’s Kuliridhu is a massive advantage, even as it takes many fascinating turns mid-way. Karthik is in dazzling form in this track!

Ranjha Ranjha” song of Raavan Album is sung by Rekha Bhardwaj and Javed Ali. The song also tunes on slow-paced band music. Lyric of the song is inspired by folk songs. The song has introduced a poetic lyric just like “Behene De” song. Javed Ali’s polished vocals, some scintillating interludes and sheer lyrical drama by Gulzar – this is a clear winner

Kata Kata” song of Raavan Hindi music is sung by Ila Arun, Sapna Awasthi and Kunal Ganjawala. Music and lyric of the song is very similar to “Behene De”. Lyric of the song is very different from all songs. “Kata Kata” soundtrack of Raavan Hindi Album tunes on a very different Nagara music and folk lyric. Kata kata, is a euphoric victory, but; immediately catchy and hummable, with enough mind-boggling layers hidden to unravel on multiple listens. Mani, as always, continues to bring the best out of Rahman

Beera Beera” song of Raavan 2010 music is sung by Vijay Prakash and Mustafa Kutoane. The song also tunes on Nagara music. Lyric of the song is also inspired by folk songs. Music of the song tunes on band instrument. “Beera Beera” is the most popular song of Raavan 2010 Album. Beera, in true Rahman style, takes a spirited, free-flowing life of its own; the energizing tune.

Khilli Re” song of Raavan music is sung by Reena Bhardwaj. The song tunes on very slow-paced instrumental music. Lyric of the song creates a beautiful scene of romance and love. Lyric of the song is just lie a poem.

Thok De Killi” song of Raavan music is sung by Sukhwinder Singh and Am'Nico. The song is very different from all soundtracks of Raavan Album. Lyric of the song tunes on very fast track just like its music. Thok di killi’s exotic sounds and energy have it in great stead even beyond those occasionally predictable Arabic’esque phases, thanks in large doses to the energizer bunny-level liveliness of Sukhwinder Singh. The way it ends, in almost a frenzy, is a nice touch

Overall, all songs of Raavan music have introduced something different. Music and lyrics of all soundtracks of Raavan music are appreciating. Music director of the Raavan - A. R. Rahman again has proved his talent to introduce some rhythmic and unique music in this film. Raavan music is the best creation of A. R. Rahman after Slumdog Millionaire and Delhi 6 music. A. R. Rahman has tried to introduce his creativity and experiment with Tribal music and folk lyric in Raavan music.

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