Showing posts with label Om Puri. Show all posts
Showing posts with label Om Puri. Show all posts

Wednesday, November 3, 2010

Action Replayy - Movie Review

Read more! Cast :: Akshay Kumar, Aishwarya Rai, Neha Dhupia, Randhir Kapoor, Om Puri, Kirron Kher, Rajpal Yadav

'Action Replayy' is one film which is arriving as an underdog this Diwali. The film doesn't scream and excites audience by proclaiming - 'Hey, look I am cool' or 'See, Akshay Kumar would be seen as a Mr. Smart Know All' once again' or 'The gags are such that you would fall off your seats'. Instead it does it all in a subtle manner when it comes to treatment though the look of the film does gain audience attention, courtesy the 70s setting that had a psychedelic flavour to it.

No wonder, when the curtains go up, the film begins and a few minutes later, Akshay is introduced as a nerd from the 70s, everyone collectively goes 'eeks' along with his son (Aditya Roy Kapoor) who has made a visit to the past. Forget the flamboyance or the energy that one expects from Akshay Kumar, he actually gets into a garb as never worn before. Donning an ill fitting 'kurta-pyajama', a pair of TV screen style glasses, a 'champu' haircut, an awkward walk and last but the most visible aspect of his personality - two protruding teeth, Akshay is as unlike a hero as one can expect from him or any other supporting actor filling a frame.

Vipul Shah gets the retro flavour bang on right from the time opening credits start rolling. The anthem music, background score, colours, costumes, sets, props - everything blends in truly well to actually traverse audience to the era gone by.

This is not all as the characters too turn into the kind that one expects from the 70s. Aishwarya Rai as a talkative mini skirted young tomboyish girl could well have taken a cue from Neetu Singh, Rannvijay Singh as a harmless villain is a diluted version of Ranjeet & Prem Chopra while Rajpal Yadav is a mini version of the boisterous Rajendra Nath. However, Akshay does something that has never been done by an actor either from the 70s or the current times and this is where the win of the character lies.

So while Aditya tries to develop love between next door neighbours Akshay and Aishwarya, everything that is possibly goes wrong between the duo. A street-smart Ash makes life miserable for Akshay and though he has a soft corner for her, he manages to let go off his feelings when he sees her get out of a mini skirt and don a saree. His heart goes 'dhak dhak' and he is all set to propose to her, but not before he goes through some real transformation. It is time for some 'awaaz neeche' and the game of one-upmanship as he is the one to take the upper seat now with Ash eventually falling in love with her.

A storyline as simple as that has to be sustained by peppering the screen with some interesting ingredients. This is something that is made possible through some fantastic tunes that have been put in place by Pritam. 'Zor Ka Jhatka', 'Chann Ke Mohalla' and 'Ae Bekhabar' arrive one after another and are a treat for the audience. There is a medley of four songs (set in a dance competition) in the second half of the film which is immediately followed by a love song (Tera Mera Pyaar); something that will have mixed reactions from audience as there are too many songs that come in one go.

This is immediately followed by a chase sequence, hence leading to a climax which seems to be set in a Priyadarshan/Anees Bazmee mode. For those who had liked the subtle yet engaging narrative of the film so far, this part of the film has a different flavour to it, something that may entice different reactions from different segments (mass v/s class) of the audience.

Coming back to the film in totality, to its credit there is no dull moment. While some of the fun sequences (Akshay proposing to Ash for the first time in a garden, the series of 'awaaz neeche' episodes, the one where Ash brings a cake for Akshay) do bring on the laughs, there are a few lump in the throat moments as well (Akshay touching Aditya's feet, his sob story on the reason behind his personality). What makes 'Action Replayy' further endearing is the chemistry between Akshay and Ash, something which is unconventional and yet makes one wonder that why the two had never been paired together.

Amongst other actors, Aditya turns out to be a surprise package as he does justice to his lengthy role in the film. He has a pleasant screen presence, is confident and quite natural. Om Puri and Kirron Kher are as usual, Rajpal Yadav is controlled, Rannvijay Singh decent while Randhir Kapoor and Sudeepa Singh are hardly there. Neha Dhupia has a miniscule screen time in a friendly appearance though she makes her presence felt in 'Zor Ka Jhatka'.

Overall, 'Action Replayy' turns out to be a clean musical entertainer that has a young feel to it without turning loud and brings with it an appeal that would cater to audience across all age groups. If in look out for some clean entertainment this Diwali, step into 'Action Replayy'; you would enjoy some harmless fun that would follow in those two hours.


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Thursday, October 7, 2010

Action Replayy - Music Review

Read more! Cast :: Akshay Kumar, Aishwarya Rai, Neha Dhupia, Randhir Kapoor, Om Puri, Kirron Kher, Rajpal Yadav

There are good expectations from the music of Action Replayy. After all more often than not, music of Vipul Shah has been popular with the masses. Though London Dreams couldn't find a wider audience, music of Namastey London, Waqt as well as Aankhen had worked with the audience. Even otherwise, his production Singh Is Kinng boasted of chartbuster music. With Pritam at the helm of affairs who pairs up with his lyricist partner Irshad Kamil all over again, you do expect a good soundtrack. However, you are not quite sure about the genre it would belong to. Whether the music would turn out to be out and out romantic or would it have a strong element of fun to it? Let's find that out.

What catches your attention even before you play on the album is the sheer number of songs that have been included in Action Replayy. Really, after the likes of Ajab Prem Ki Ghazab Kahani or a Love Aaj Kal [incidentally both of them have Pritam as a composer], Action Replayy has to be the heaviest album around. There are as many as nine distinct songs with remixes of four of them. For an Akshay Kumar starrer, this has to be the biggest musical album ever since one can remember.

First to arrive is 'Zor Ka Jhatka' and call it incidental but the song indeed leaves a 'zor ka jhatka' from the very first note. This one is a thumping hit for sure, as evidenced in the manner it keeps a relentless pace right through its four minute duration. Indian in appeal and carrying a theme (evils of marriage) which is not hard to relate, 'Zor Ka Jhatka' is a fun track that has Daler Mehndi pairing up with Richa Sharma. Both the singers thoroughly enjoy their stint behind the mike and this is visible in the energy that comes along. A sure shot chartbuster which has Master Salim singing for the 'remix version'. However, it is the Daler Mehendi version you want to go back to.

A complete mood shift is enabled with 'O Bekhabar' which has a distinct Yash Chopra feel to it. Swiss Alps and chiffon sareers aren't difficult to be visualised in this romantic track where Shreya Ghoshal gives yet another good account of herself. This one belongs to the kind of Bollywood tracks that have never failed for decades. Pritam along with Irshad Kamil grasp the 'pyaar mohabbat' theme well and present a melodious song to the audience that they won't mind listening on a repeat mode.

If you have seen the promos of Action Replayy, you wouldn't have missed listening to the sound of 'Nakhre'. A fun celebration track that brings on a carnival affect, 'Nakhre' is a true blue retro track that has singer Francois Castellino getting the Elivs Presley mood recreated. While the intentions are noble here and the core tune right as well, it is the singing that makes one a tad dissatisfied. In an attempt to recreate the Elvis magic, the final result isn't as desired that makes one feel that 'Nakhre' (which also appears in a 'remix version') could have been far better.

However, the disappointment doesn't stay on for long as Sunidhi Chauhan and Ritu Pathak come together for the 'holi' number 'Chhan Ke Mohalla'. Really, this one turns out to be as instantly catchy as 'Zor Ka Jhatka' and turns out to be yet another chartbuster knocking on the doors. With a Laxmikant Pyaarelal flavour to it, 'Chhan Ke Mohalla' reminds one of their 70s compositions and is instantly likeable. Also, there is an instant element of seduction to it, something which is expected from a 'holi' number, which further makes one listen to the 'remix version' with added anticipation.

What comes next though is a song straight out of Pritam territory with 'Tera Mera Pyaar' turning out to be a song that would have been gladly picked up by Bhatts or Imtiaz Ali. A soothing love song with Karthik, Mahalakshmi and Antara Mitra doing quite well to get the lovey-dovey mood on, 'Tera Mera Pyaar' (also arriving later in the 'remix version') continues to add on to the different moods of Action Replayy. By this time around, one is sure that the soundtrack is a mix of love songs as well as fun numbers which leads one to check out what next is in store.

This is the reason why one is not surprised when it is a fun dance number that comes in immediately. 'Dhak Dhak Dhak' has Mika going ballistic and after hearing it a couple of times, you too join all the fun. With a core Indian feel to it, 'Dhak Dhak Dhak' - a dance number - never really rests and maintains its tempo right from start till the end.

Next to arrive is 'Luk Chup Jaana' which is yet another track that has the potential to make it into the charts. This one again requires just half a listening to realise that it has a Pritam stamp all over it. In fact one is surprised that this well orchestrated and arranged dance number sung by Tulsi Kumar and KK hadn't arrived in the album a little earlier. It really deserved to and if promoted well, could be one of the highlight tracks in the film.

Even with so much to offer, the platter doesn't get empty with Pritam churning out yet another number - this time a rock track - 'I Am Dog Gone Crazy'. Though the lyrics suggest an out and out whacky number, which is not really the case as singer Suraj Jagan keeps his vocals under control. Rather than turning out to be hardcore rock that leads to a restricted audience for itself, it stays within boundaries to auger well with the quintessential Bollywood followers as well.
Shreya Ghoshal, the only singer in the album to enjoy two solo tracks for herself, returns with 'Baki Main Bhool Gayi'. A love song that has a definite tempo to it and moves ahead with some racy beats, 'Baki Main Bhool Gayi' may not be the chosen one from the crowd. Still, as a part of the package in Action Replayy where there is no full moment, this last song in the album as well manages to make its own contribution.

Action Replayy is a fun album and better than what had initially expected. In fact while it is 'Zor Ka Jhatka' followed by 'Nakhre' and 'O Bekhabar' which are being currently promoted, there are quite a few other songs that deserve to find attention for themselves. With exactly a month to go for the release of the film, one would definitely want to see more of 'Chhan Ke Mohalla', 'Luk Chup Jaana' and 'Tera Mera Pyaar' at the least. An entertaining album that doesn't have a single dull moment.

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Friday, September 10, 2010

Dabangg - Movie Review

Read more! Cast :: Salman Khan, Sonakshi Sinha, Arbaaz Khan, Vinod Khanna, Dimple Kapadia, Om Puri, Anupam Kher, Tinnu Anand, Mahesh Manjrekar

The fight between good and bad has been the fodder of many a Hindi film of 1970s and 1980s. In fact, it wouldn't be erroneous to state that these films dominated the cinema of yore and a lot of us, who have grown up on masala films/wholesome entertainers, will vividly recall the serpentine queues outsidecinema halls and a mad scramble to book the tickets of those films. hardcore masala films were relished with glee by the audience then.

However, for some inexplicable reason, masala films became extinct or should I say, disappeared from the face of Hindi cinema over a period of time. GHAJINI and WANTED revived this genre, bringing back memories of the bygone era. Now DABANGG takes this genre one step ahead.

Be forewarned. DABANGG is rustic, has loads of action, harps on the age-old mother-son and varied relationships [half-brother, step-father], eventually turns into a vendetta fare, has a number of songs placed smartly in the narrative [including an item number]... but the packaging is slick and polished. Sure, it's old wine, but packed in a brand new bottle, with a new brand ambassador [Salman Khan] endorsing this masalathon.

Most importantly, it has Salman like never before. Breathing fire and venom, Chulbul Pandey aka Robinhood Pandey taps Salman's star power like no film has and the result is sheer magic. In fact, DABANGG stands on three pillars - Salman's star power, smashing stunts and super music.

Final word? Salman fans, rejoice! You walk in DABANGG with 100% expectations and you exit with 200% gratification. Entertainment guaranteed. This film will create a pandemonium of sorts, a mass hysteria, crushing old records and setting new benchmarks at the box-office.

Set in Uttar Pradesh, DABANGG is a story of Chulbul Pandey [Salman Khan], a totally fearless but corrupt police officer with unorthodox working methods. But even the most fearless at times face a tough fight with their innermost demons. Chulbul has had a bitter childhood. His father passed away when he was very young, after which his mother [Dimple Kapadia] married Prajapati Pandey [Vinod Khanna]. Together, they had a son Makhanchan [Arbaaz Khan].

Prajapati favors Makhanchan, which does not go down well with Chulbul. He decides to take control of his destiny and detaches himself from his step-father and half-brother. His sole attachment is his mother. However, after his mother's demise and an unsuccessful attempt to mend wounds, Chulbul snaps all ties with his step-father and half-brother.

Rajo [Sonakshi Sinha], with her unique perspective of life, enters his world and turns life upside down. Chulbul starts to see life more positively and also gets sensitized to the value of a family. But his detractors, especially the dubious Cheddi Singh [Sonu Sood], have their own vested interests and emerge as spokes in the wheels, putting one brother against the other. Makhanchan ends up carrying out an act oblivious to the consequences.

When Makhanchan realizes he has been used, he turns to Chulbul. Will Chulbul take his extended hand? Will the brothers be able to thwart their detractors?

The job of a promo is to give a gist of the film and prepare the audience well in advance about what to expect when they saunter into an auditorium. The promos of DABANGG have sent the right signals to the audience about it being a paisa vasool entertainer. Let's face it, DABANGG has nothing ground-breaking to offer as far as its plot is concerned. We've visited similar stories in the past, but what makes DABANGG shine, and shine brightly, is Salman's star power, which camouflages the aberrations wonderfully. The darling of the masses has been cast in a role that his fans love to see him in, which explains why this film works from start to end.

Like I pointed out earlier, DABANGG is special for two more reasons: S. Vijayan's stunts and Sajid-Wajid's music, with an additional song by Lalit Pandit. Talking of action scenes, Salman's introduction at the start and the fight-to-finish in the climax will send the masses in frenzy. To state that the action scenes are outstanding, especially the fight in the finale, would be an understatement. In the finale fight, when Salman's shirt tears apart and the rippling muscles and the bare-chest fight ensues, mark my words, it will lead to chaos at mass-dominated centres, especially at single screens. The climax will be one of the prime reasons for repeat viewing, for sure.

It's difficult to accommodate music in an action film, but Sajid-Wajid come up with a melodious score. The title track, 'Tere Mast Mast Do Nain' and 'Munni' [composed by Lalit Pandit] are the icing on the cake.

Director Abhinay Singh Kashyap is in his element. He's made an out and out entertainer with an eye at the masses and he succeeds in his endeavour. Doing justice to vintage formula is no cakewalk, let's not forget. Besides, the director stays away from going overdramatic while handling the dramatic and emotional moments. This explains why you don't exit the theatre with a spinning head. Mahesh Limaye's cinematography is perfect. I'd like to make a note of the editing [Pranav V. Dhiwar], which is super-slick in action scenes. Dialogue, especially those delivered by Salman, will be greeted with claps and whistles. Especially the one 'Itne chhed karunga'.

Salman Khan is the boss, when it comes to playing to the masses. This film reaffirms this truth. The role provides him ample opportunity to prove his star power and he does it with remarkable ease. Let me put it on record. DABANGG is yet another landmark film in his career, besides MAINE PYAR KIYA, HUM AAPKE HAIN KOUN, JUDWAA [tapping the funny side], TERE NAAM [tapping the emotional side] and WANTED.

Sonakshi Sinha looks fresh, acts confidently and pairs off very well with Salman. Most importantly, she delivers the right expressions and is not overpowered by the galaxy of stars in the cast. Arbaaz Khan is efficient. He underplays his part well. Sonu Sood is electrifying, matching up to Salman at every step. In fact, the fight in the finale between Salman and Sonu is awe-inspiring.

Vinod Khanna is excellent in a role that has grey shades. Dimple Kapadia is truly wonderful. Anupam Kher is, as always, good. Ditto for Om Puri. Mahesh Manjrekar doesn't get ample scope. Mahi Gill is alright. Tinnu Anand is effective. Murli Sharma is nice. Malaika Arora Khan sizzles in the 'Munni' track.

On the whole, DABANGG is a full on entertainer with three aces - Salman Khan like never before, stylish action and super music. It's a foregone conclusion that DABANGG will open huge. As far as the business prospects are concerned, the film will set new benchmarks, so much so that DABANGG will be one of the yardsticks to gauge the level of business in times to come. Sure to fetch an earth-shattering opening, the film will create a pandemonium at the box-office, cementing the status of Salman Khan as the darling of the masses and making the distributors laugh all the way to the bank.

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Wednesday, August 4, 2010

Dabangg - Music Review

Read more! Cast :: Salman Khan, Sonakshi Sinha, Arbaaz Khan, Vinod Khanna, Dimple Kapadia, Om Puri, Anupam Kher, Tinnu Anand, Mahesh Manjrekar

Well, it can now be comfortably said that Salman Khan and his composer duo of Sajid and Wajid are definitely a team. One look at the last few films of Salman and the declaration does come with a strong standing. Wanted, Main Aurr Mrs Khanna, Veer and now Dabangg - Film after film it is the same team which is coming together to get the music in place. Add to this the fact that this combination along with lyricist Jalees Sherwani has invariably delivered and you know that Dabangg too is in safe hands. What does one expect? Well, a mix of all genre of songs, something that was also the case with Salman's last masala action entertainer - Wanted.

Dabangg begins on a highly positive note with 'Tere Mast Mast Do Nain' which is written by guest lyricist Faaiz Anwaar. This track easily sits amidst the best of what Sajid-Wajid have offered in their musical career so far. Easy on ears, extremely melodious, good pace and instantly catchy, 'Tere Mast Mast Do Nain' has a Sufi base to it which is elevated to further heights due to one man - Rahat Fateh Ali Khan. His name spells quality and it is no different in case of 'Tere Mast Mast Do Nain' which is all set to be a chartbuster and has en evergreen appeal to it. No wonder, not just it arrives at the very beginning of the album, it is also repeated in a duet version with Shreya Ghoshal (good again) and a 'remix version' (not really the preferred version).

An attempt to recreate the flavour of 'Beedi Jalaile Le' turns out to be just a good - not extraordinary - outing in the form of 'Munni Badnaam'. Lalit Pandit is the guest composer and lyricist of this song which has a UP-Bihar setting to it (which goes in synch with the backdrop of the film as well) and is sung in a rustic style by Mamta Sharma and Aishwarya. The lyrics, though definitely not vulgar, cater mainly to the gentry, what with references to Bipasha Basu as well as Bebo (Kareena Kapoor). A foot tapping (as is the 'remix version'), a lot will depend upon how it is picturised on Malaika Arora Khan because in isolation, it is not the kind that has in it to cover a huge distance all by itself.

Well, if one thought that 'Don't Say Alvida' was the best that Sajid-Wajid, Sonu Nigam and Shreya Ghoshal had to offer to Salman in Main Aurr Mrs Khanna then watch out for 'Chori Kiya Re Jiya'. Boasting of simple lyrics by Jalees Sherwani (who takes over the scene from this point on), 'Chori Kiya Re Jiya' is yet another winner that Dabangg can guarantee for itself. Melodious, sweet sounding and instantly bringing a smile on your face, 'Chori Kiya Re Jiya' is the kind of number that ensures a comfortable hearing as well as viewing due to an intrinsic innocent appeal.

What is not so innocent though is 'Udd Udd Dabangg' which is the kind of title song that is totally on the same lines as the one heard in title track of Omkara. What is also common is Sukhwinder Singh who was vociferous in Omkara but is hauntingly subdued yet powerful in Dabangg. It takes a couple of listening to grasp the mood of 'Udd Udd Dabangg' and though it is not the one to be sung around, it makes for a good inclusion in the background score of the film's narrative. Wajid too joins Sukhwinder for this rustic number that should auger well with Salman's fans.

Just a few months back, music lovers were offered an energetic 'drunken song' in the form of 'Taali Maar' [Veer]. In fact it was one under rated number that deserved to cover a bigger distance. An effort is made to create a song on the same lines, 'Humka Peeni Hai', with Salman as the centre of attraction yet again. However, the results aren't as exciting as 'Taali' with 'Humka Peeni Hai' turning out to be just about average. Wajid, Master Salim and Shabab Sabri come together to get the energy into the proceedings but somehow the tune by itself doesn't excite a listener enough to play it over and over again, despite the arrival of a 'remix version' a little later.

The album ends on a high note though with 'Dabangg Theme', which just like the 'Most Wanted' track in Wanted comes with good enough ammunition to keep the listener hooked. Chances are that you have gone through the theatrical promo of Dabangg already. If so, there is good news because the same promo is heard in 'Dabangg Theme' with even the dialogues being kept intact. For the fans and followers of Salman Khan, it is a much cherished added bonus to listen to some powerful dialoguebaazi.

Dabangg delivers what it promised. One expected a masala soundtrack and this is what one gets with a couple of item song sequences, a couple of theme tracks and two love songs which are actually the highlight of the film. A soundtrack that has something in store for mass (Munni Badnaam, Humka Peeni Hai) as well as class (Tere Mast Mast Do Nain, Chori Kiya Re Jiya), Dabangg should see good response at the music stands.


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Thursday, November 19, 2009

Kurbaan - Movie Review

Read more! Cast :: Saif Ali Khan, Kareena Kapoor, Sunil Shetty, Dia Mirza, Om Puri, Kirron Kher.

Post 9/11, there's anger, distrust, suspicion, discomfort all around. Not a day passes when you don't hear of terrorists killing civilians in the name of religion.

Many storytellers have, in the past, narrated stories about terrorists and their evil and wicked plans. But let me state one thing categorically. You haven't watched a more profound, a more thought-provoking, a more dramatic story on this subject before KURBAAN. It's not just the most powerful film to come out of Dharma Productions, it's the most powerful film to come out of the Hindi film industry this year, thus far.

KURBAAN tries to penetrate into the psyche of not just the terrorist, but also someone who has been a helpless spectator all this while. This film is sure to spark off discussions and debates, although it must also be noted that it doesn't take sides or gets preachy.

Rensil D'Silva has chosen a burning issue for his directorial debut, which is a complete departure from Karan Johar's earlier films. For some inexplicable reasons, parallels are being drawn with FANAA and NEW YORK , but the fact remains that barring the backdrop of terrorism, there's no similarity with those films.

One often felt that certain films are beyond box-office. Movies are not meant to merely entertain, but enlighten and educate as well. They need to prick your conscience and in the process, make an attempt to make this world a better place. KURBAAN does just that and for this very reason, it deserves a double thumbs up.

Final word? Drop everything else you're doing to watch KURBAAN. Movies like these need to be made, encouraged and lauded.

Avantika (Kareena Kapoor) is a teacher at a university in Delhi. She has come back from New York where she teaches, because her father (Aakash Khurana) has suffered a heart attack. During this period, she meets a Professor called Ehsaan Khan (Saif Ali Khan). Soon, they begin seeing each other and love blossoms.

A few months later, Avantika receives a call from her university in New York, asking her to come back. Avantika breaks the news to Ehsaan. He, in turn, tells her he doesn't mind coming to the States with her. But first they need to get married.

Soon after the marriage, they leave to start a new life in New York. They buy a house in an Indian neighbourhood and move in. Just as they are setting up home, their conservative Muslim neighbours invite them over for dinner. The next morning, Salma (Nauheed Cyrusi), one of the women Avantika met the night before at the dinner, visits her under the pretext of gifting her sweets.

When Avantika invites her in, Salma tells her that she is in grave danger. Nothing is what it seems. Salma pleads with Avantika to help her. What follows next is a series of incidents that sucks Avantika into a vortex of danger and intrigue. As her life spirals out of control, Avantika realizes that she is a pawn in a huge game.

KURBAAN has two stories running concurrently - the love story between Saif and Kareena and the story of Islamic terrorists. Rensil sets the stage in the initial 15 minutes itself, after which there's a twist in the tale every 15-20 minutes, which catches you completely unaware. Rensil doesn't borrow from the past, which makes the proceedings thoroughly captivating.

The highpoint is the 35-minute climax, which leaves you spellbound. The culmination to the story shakes you completely, largely because it's pragmatic and has been executed most logically as well. In fact, filming the climax at the various underground tube stations must've been the toughest challenge for the director.

On the flip side, KURBAAN caters more to the intelligentsia or the thinking viewer and might not be lapped up whole-heartedly by those who survive on the staple diet of masala fares.

Some of the finest technicians in the business are associated with KURBAAN. Hemant Chaturvedi's cinematography is super. The film bears an international look all through. Salim-Sulaiman's music is well integrated in the narrative. At least two tracks merit a mention - 'Shukran Allah' and 'Ali Maula'. Anurag Kashyap and Niranjan Iyengar's dialogue are superb. The lines enhance the impact of several sequences. Thrills are, again, in sync with the mood of the film.

KURBAAN is embellished with superlative performances. Saif is extra-ordinary in a role that only proves his versatility once again. If he won your heart with a winning performance in LOVE AAJ KAL a few months ago, you need to watch this supremely talented actor underplay his part so beautifully in KURBAAN. As for Kareena, KURBAAN reiterates one fact yet again: She's the best in the business. No two opinions on that! Watch her get those emotional sequences right, it's incredible. Here's a performance that truly merits the highest praise and admiration, besides fetching her awards and accolades.

Vivek Oberoi is fantastic. Matching Saif and Kareena at every step, KURBAAN should be the turning point in Vivek's career. It's a difficult role to portray and only an actor with a wide range could've portrayed this part so effectively. Om Puri is top notch and so is Kirron Kher. Kirron is marvellous, especially in the penultimate scene. Dia Mirza, Nauheed Cyrusi and Kulbhushan Kharbanda lend credibility to their brief roles.

On the whole, KURBAAN is the most powerful film to come out of the Hindi film industry in 2009, so far. The film has a captivating plot, gripping screenplay, super performances and a climax that shakes you up completely. Watching this movie should be on top of your agenda this week.

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Kurbaan - 01 - Shukran Allah @review-of-movies.blogspot.com
Kurbaan - 02 - Dua @review-of-movies.blogspot.com
Kurbaan - 03 - Ali Maula @review-of-movies.blogspot.com
Kurbaan - 04 - Rasiya @review-of-movies.blogspot.com
Kurbaan - 05 - Kurbaan Hua @review-of-movies.blogspot.com
Kurbaan - 06 - Ali Maula Remix @review-of-movies.blogspot.com


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Wednesday, October 14, 2009

Kurbaan - Music Review

Read more! Cast :: Saif Ali Khan, Kareena Kapoor, Sunil Shetty, Dia Mirza, Om Puri, Kirron Kher.

The music of Dharma Productions’ latest offering, Kurbaan, based on Jihad is an album to watch out for. The movie has generated quite some buzz off late thanks to a picture of Kareena and Saif.

With Niranjan Iyegar choosing the curve of the alphabets in his way and Salim-Sulaiman providing the notes to his thought-spinners, the result is mesmerizing. The album has some of the best Sufi tracks composed in recent times.

The album which starts on high notes concludes with a disappointing title track. But the remaining 4 tracks are of high caliber. Niranjan Iyengar and Salim-Sulaiman have written/composed the perfect album for a movie like Kurbaan.

Shukran Allah
Song from Sonu Nigam is always a delight. But equal credits to Salim and Shreya Ghosal for their beautiful playback singing. Song moves in a smooth rhythm, you will love the sounds of guitar.

Dua
Sukhwinder Singh and Kailash Kher comes together again after disappointing last effort. But this time it works. The main USP of this song is it's lyrics. Very clear and meaningful.

Ali Maula
Ali Maula picks up a bit slow but turns out to be magnificent song. Backed by powerful music, reckoning song for singer and music composer Salim.

Rasiya
It's more of a theme song for Kurbaan. Again strong music raises the tempo of this song.

Kurbaan Hua
The show stealer for sure. This is a Hindi rock song from talented rock music experts Vishal - Shekhar. This type of songs do tend to sound similar but it has unique touch comparable to no other song.

Ali Maula - Remix
This was not required, music is too loud and suppress the singers voice. Remix of Kurbaan Hua would have been better.

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Kurbaan - 01 - Shukran Allah @review-of-movies.blogspot.com
Kurbaan - 02 - Dua @review-of-movies.blogspot.com
Kurbaan - 03 - Ali Maula @review-of-movies.blogspot.com
Kurbaan - 04 - Rasiya @review-of-movies.blogspot.com
Kurbaan - 05 - Kurbaan Hua @review-of-movies.blogspot.com
Kurbaan - 06 - Ali Maula Remix @review-of-movies.blogspot.com


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