Showing posts with label Neil Nitin Mukesh. Show all posts
Showing posts with label Neil Nitin Mukesh. Show all posts

Saturday, February 19, 2011

7 Saat Khoon Maaf - Movie Review

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Cast :: Neil Nitin Mukesh, Priyanka Chopra, Naseruddin Shah, John Abraham, Mohanlal, Irrfan Khan

The very thought of watching a Vishal Bhardwaj film excites a movie buff no end. Right from MAKDEE to KAMINEY, Bhardwaj's body of work stands out from the rest. The forward-thinking film-maker's fixation for adapting novels and plays is known to all and sundry by now. Continuing with his practice of adapting from the written form, the supremely talented storyteller now adapts Ruskin Bond's short story 'Susanna's Seven Husbands' for his new outing 7 KHOON MAAF. Known for walking the unusual path, Bhardwaj narrates an unconventional story yet again - of a woman who marries multiple times, following the untimely death of her husbands.

Till a few years ago, no one would've ever thought of making a film on a woman who marries, remarries, weds again, ties the knot yet again... in fact, she walks down the aisle multiple times. That's not all, the woman, we are told, kills each of her husbands subsequently. The theme might come as a jolt to the trditional moviegoers, since the wives on the Hindi screen are either depicted as docile and dutiful or fiercely independent and ambitious. The question is, will the orthodox Indian audience absorb a theme like this? It's blasphemous, some may opine. Imagine a murderous bride, some may rant.

There's talk that 7 KHOON MAAF is also loosely inspired from an Italian movie by the name SETTE VOLTE DONNA aka WOMAN TIMES SEVEN [1967], helmed by Vittorio De Sica. That one depicted seven short stories with adultery as the focal point [Shirley MacLaine, the protagonist, knits these stories together]. However, the resemblance could be coincidental and not an attempt to plagiarize that film.

7 KHOON MAAF works in parts. A few stories - involving Neil Nitin Mukesh, John Abraham, Irrfan Khan and Annu Kapoor - are absorbing, while at least two could've been better narrated - Naseeruddin Shah and Aleksandr Dyachenko. The unfortunate part is that the uninteresting ones come in the latter half and coupled with its excessive length, the impact generated by a captivating first hour gets diluted in the process. Even the culmination doesn't sweep you off your feet.

Not just the unconventional plot, even the execution of the subject material is offbeat and quirky. There are several instances in the narrative where the viewer has to stay very, very attentive. Unlike other films, Bhardwaj wants his viewer to stay attentive and use his mind while watching the various stories in 7 KHOON MAAF. In one sequence, the camera zooms and the funeral transforms into a marriage, while another sequence depicts the marriage transforming into a funeral. Also, the mystery of the killer with five fingers and one toe is disentangled towards the end, but the sequence doesn't register as effectively thanks to the way it has been depicted.

Susanna [Priyanka Chopra] is unlucky in love. Her first husband, Major Edwin [Neil Nitin Mukesh], is overtly possessive and suspicious. After his demise, Susanna marries Jimmy [John Abraham] as she is floored by his musical talent. Jimmy becomes successful, but with success comes girls and drugs. He dies of drug overdose.

Enter Wasiullah aka Musafir [Irrfan Khan]. Impressed by his poetry, Susanna marries him, but discovers that he's a romantic in daytime, but a beast at night. He too gets eliminated. Susanna falls for the suave Nicolai [Aleksandr Dyachenko] from Moscow, but this marriage doesn't last long as Susanna discovers that Vronsky has a wife in Russia.

Following the death of a foreign national, the police start taking keen interest in the case. The officer Keemat Lal [Annu Kapoor] enters Susanna's life. Initially, he asks for sexual favors and later, persuades her to marry him. He dies due to cardiac arrest. After the death of Keemat Lal, Susanna marries Dr. Modhusudon [Naseeruddin Shah]. Susanne is depressed and he puts her on a mushroom only diet. But he's the first guy in her life who wants to get rid of her. Instead, she murders him.

In the end, Susanna marries yet again... for the seventh time. This time, to someone who knows she has committed the murders and sins. What happens next?

Though Priyanka is shown killing her husbands with the help of her ever-faithful staff, let this be told that it's not a scary or frightful experience. Sure, it's intense, but at the same time Bhardwaj injects humor in the narrative and that's the prime reason why the narrative never gets heavy or serious. I'd like to say this film is in a space of its own.

Also, though the protagonist marries and remarries, you don't feel any kind of animosity or hatred for the character. On the contrary, one empathizes with her never-ending pursuit for true love. One feels the pain, loneliness and tragedy that she goes through and that's what makes her the woman that she eventually turns out to be. Wicked, she is, but Bhardwaj offers reasons for her to get rid of those men. The reasons, in most cases, are convincing. But the transition from one man/husband to another is so sudden that Susanna comes across as a desperate lady hankering for yet another marriage.

Bhardwaj, the writer, leaves the viewer clueless about the two stories in the second hour. Fine, Susanna had learnt that her Russian husband had a wife and two kids tucked away in Russia, but the manner in which the entire case is solved leaves you baffled. In fact, one often wonders if it was so easy to murder a person and move on in life. How could the law enforcement remain a silent spectator despite multiple murders/mysterious deaths involving the same woman? The writing didn't appear foolproof and convincing to me.

Bhardwaj shares yet another responsibility in his films - handling the music department. One is assured that Bhardwaj would come up with lilting and high quality compositions, but the soundtrack of 7 KHOON MAAF is strictly okay. The Indian version of the Russian song 'Kalinka', 'Darling', is already a rage and it goes without saying that it's the best track of the enterprise. Rendered brilliantly, the song is sure to be one of the reasons why people will be tempted to watch the film.

Always ready to accept challenges in her career [AITRAAZ, YAKEEN, FASHION] and raising the bar with her performances, Priyanka accepts the challenge to portray ages from 21 to 65 in 7 KHOON MAAF. It must've been an arduous task to get the different age-groups right, but she proves her infinite acting potential yet again. Known to be an actress who stays true to every character that she is portraying, Priyanka delivers yet another sparkling, award worthy performance this time. There are several love-making sequences with her husbands and Priyanka has handled those [bold] sequences without inhibitions.

Amongst the remaining cast, Annu Kapoor leaves the maximum impact. He's simply outstanding! John doesn't really get much scope, Neil is effective, Irrfan is wonderfully restrained, Naseer is believable and Aleksandr is passable. Vivaan Shah, who narrates the story of Susanna, is a talent to watch out for. Though it's his maiden film as an actor, it doesn't seem like one. He is not your regular debutant and that's what makes his character appear so real. Konkona Sen Sharma does well. Usha Uthup and the two male helps are good.

On the whole, 7 KHOON MAAF is a dark film that has its share of positives and negatives. However, the film will meet with diverse reactions - some will fancy it, while some will abhor it. The film will appeal more to the critics/columnists and the festival circuit. However, it is not the kind of cinema that will set the box-office ablaze. Ideally, I would've given a two star rating for this film, but I am going ahead with an extra star for Priyanka Chopra's sterling performance!

Download 7 Saat Khoon Maaf MP3 Songs
01 - 7 Khoon Maaf - Darling@review-of-movies.blogspot.com
02 - 7 Khoon Maaf - Bekaraan@review-of-movies.blogspot.com
03 - 7 Khoon Maaf - O Mama@review-of-movies.blogspot.com
04 - 7 Khoon Maaf - Awaara@review-of-movies.blogspot.com
05 - 7 Khoon Maaf - Tere liye@review-of-movies.blogspot.com
06 - 7 Khoon Maaf - Dil Dil Hai@review-of-movies.blogspot.com
07 - 7 Khoon Maaf - Yeshu@review-of-movies.blogspot.com
08 - 7 Khoon Maaf - Doosri Darling@review-of-movies.blogspot.com
09 - 7 Khoon Maaf - O Mama (Acoustic)@review-of-movies.blogspot.com

01 - 7 Khoon Maaf - Darling@review-of-movies.blogspot.com
02 - 7 Khoon Maaf - Bekaraan@review-of-movies.blogspot.com
03 - 7 Khoon Maaf - O Mama@review-of-movies.blogspot.com
04 - 7 Khoon Maaf - Awaara@review-of-movies.blogspot.com
05 - 7 Khoon Maaf - Tere liye@review-of-movies.blogspot.com
06 - 7 Khoon Maaf - Dil Dil Hai@review-of-movies.blogspot.com
07 - 7 Khoon Maaf - Yeshu@review-of-movies.blogspot.com
08 - 7 Khoon Maaf - Doosri Darling@review-of-movies.blogspot.com
09 - 7 Khoon Maaf - O Mama (Acoustic)@review-of-movies.blogspot.com

Watch 7 Saat Khoon Maaf Videos



Sunday, January 30, 2011

7 Saat Khoon Maaf - Music Review

Read more! Cast :: Neil Nitin Mukesh, Priyanka Chopra, Naseruddin Shah, John Abraham, Mohanlal, Irrfan Khan

Hype came when Theatrical trailers arrived at screens. Most expected movie of Priyanka Chopra showed once again hope for another masterpiece like FASHION. We listened DARLING in the trailer and later it's telecast-ed. It can be easily said that Darling's the first finest pieces we have heard in 2011 and so on expectations aroused for another mind blowing Vishal Bharadwaj album like "Kaminey", "Ishqiya" or "Omkara".

Carrying a Spanish feel in heart, DARLING's all set to burn the charts this moment. The two phenomenal female voices of Rekha Bharadwaj & Usha Uthup have just made the fire spread away to most far position. A spectacular composition and catchy lyrics by Gulzar have done a splendid job. "Darling" is the song of the moment. If Darling's slowed up in tempo at times and new lyrics have been added to it to make it a bit more beautiful, then you got a similar song to it that even has a nice title, DOOSRI DARLING. "The Darling series" has surely benefited the whole album.

To describe Sussana's romance with a muslim poet, BEKARAAN can be said the perfect choice of song. Strongly close to "MADHNO" from "LAMHAA", Bekaraan has a sweet & calm rhythm that can easily bind you in its spell. Sweet vocal by Vishal Bharadwaj himself, he has easily succeeded in composing a beautiful romantic number.

We see K.K. in a complete new avatar in O MAMA, a pulsar romantic track. With Rocking composition & catchy lyrics like "Sar Ko Aksar Nochta Hai Dil Mera", "Ek Meow Si Ladki", the song sounds even more better. On the whole, O Mama is far far successful to create a super impact on listeners and has K.K. written all oevr it as the reason for it's sensation.

With a Sufi Feeling in it, AWAARA makes arrival in the soundtrack and Vishal Bharadwaj has made the right desicion to choose Master Saleem as the vocalist as he is a perfectionist in these kind of tracks. Awaara has a melancholy strain in it and might be used in the background of any scene in the movie. Allover, it's purely a situational number that is quite impressive.

Pure & melodious romanticism enters the list when TERE LIYE, the most impressive song of the album enters. It surely carries the theme of Sussana in it under the magical vocal of Suresh Wadkar. Impressive & touchy lyrics by Gulzar are just the icing on the cake. After a long period, Suresh Wadkar delivers such a splendid song, Thanks to Vishal Bharadwaj. Will remind you about another sweet masterpiece "AB MUJHE KOI" from "ISHQIYA" by Vishal himself.

Suraj Jagan, the most rocking singer today whose throat has no limits to scream. If you are planning to compose a wild & acid based song, then you will have to make it sung by him. DIL DIL HAI purely signifies any live performance in the whole movie and Vishal has wisely appointed Suraj in it. A wild, completely rocking, full of electric guitars, drums and beats, this 185 minutes long track will impress young listeners most.

At last arrives a calm and strange track, YESHU that is sung by Rekha Bharadwaj. If you have heard "BADI DHEERE JALI" from "ISHQIYA", then you will find much similarity in both of them. Allover, a fair listen.

Vishal Bharadwaj albums always signify different tastes in a single dish and 7 Khoon Maaf is not different from it. 7 Khoon Maaf has ability to be another musical success in Priyanka & Vishal both's filmography. Delivered, as expected. We Hope Vishal Bharadwaj does justice with Ruskin Bond's "Sussana's Seven Husbands" in his movie. Final Word? Not 1, Not 2, Not Even 3, 4 Stars Maaf For the music of 7 Khoon Maaf.

Download 7 Saat Khoon Maaf MP3 Songs
01 - 7 Khoon Maaf - Darling@review-of-movies.blogspot.com
02 - 7 Khoon Maaf - Bekaraan@review-of-movies.blogspot.com
03 - 7 Khoon Maaf - O Mama@review-of-movies.blogspot.com
04 - 7 Khoon Maaf - Awaara@review-of-movies.blogspot.com
05 - 7 Khoon Maaf - Tere liye@review-of-movies.blogspot.com
06 - 7 Khoon Maaf - Dil Dil Hai@review-of-movies.blogspot.com
07 - 7 Khoon Maaf - Yeshu@review-of-movies.blogspot.com
08 - 7 Khoon Maaf - Doosri Darling@review-of-movies.blogspot.com
09 - 7 Khoon Maaf - O Mama (Acoustic)@review-of-movies.blogspot.com

01 - 7 Khoon Maaf - Darling@review-of-movies.blogspot.com
02 - 7 Khoon Maaf - Bekaraan@review-of-movies.blogspot.com
03 - 7 Khoon Maaf - O Mama@review-of-movies.blogspot.com
04 - 7 Khoon Maaf - Awaara@review-of-movies.blogspot.com
05 - 7 Khoon Maaf - Tere liye@review-of-movies.blogspot.com
06 - 7 Khoon Maaf - Dil Dil Hai@review-of-movies.blogspot.com
07 - 7 Khoon Maaf - Yeshu@review-of-movies.blogspot.com
08 - 7 Khoon Maaf - Doosri Darling@review-of-movies.blogspot.com
09 - 7 Khoon Maaf - O Mama (Acoustic)@review-of-movies.blogspot.com

Watch 7 Saat Khoon Maaf Videos



Sunday, August 22, 2010

Lafangey Parindey - Movie Review

Read more! Cast :: Neil Nitin Mukesh & Deepika Padukone

Sometimes, your reputation precedes you. Pradeep Sarkar carries the reputation of making women-centric movies. Films like PARINEETA and LAAGA CHUNARI MEIN DAAG prove it. Who would've ever thought Sarkar would do a 360 degree turn in his third film by calling it LAFANGEY PARINDEY, set it in a chawl and make his characters speak tapori lingo? Hard to digest, isn't it? Frankly, the skilled storyteller takes you on a trip least expected from him.

When you attempt something you haven't attempted earlier or ventured into before, you either fall flat on your face or walk with your chin up in air. Sarkar doesn't slip, although LAFANGEY PARINDEY does have its share of hiccups that show up intermittently. Unlike PARINEETA and LAAGA CHUNARI MEIN DAAG, Sarkar narrates a simple story this time around and though it has nothing to do with the Rajesh Khanna - Mumtaz - Meena Kumari starrer DUSHMUN, you can't help but draw parallels with it, which, frankly, could be a coincidence as well. Yet, to be fair to Sarkar, he ventures in an unknown territory like a seasoned player.

On the flipside, the film has a major flaw and that dilutes the impact to an extent: Casting Neil Nitin Mukesh as a tapori. He just doesn't look like one. Even if he tries very hard to get into the skin of the character, you just can't connect with him since the suave and dashing demeanor makes him look like a Harvard returned, not someone from the streets or wadis of Mumbai definitely.

Final word? Sure, it has its share of shortcomings, but is an engaging watch nonethess.

LAFANGEY PARINDEY is about a group of youngsters living in the backstreets of Mumbai. It is the love story of Nandu [Neil Nitin Mukesh] and Pinky [Deepika Padukone].

One-Shot Nandu takes boxing to a new level by knocking down his opponents - blindfolded. Needless to say, One-Shot lives life on his own terms and is a local hero amongst his friends. But all that changes when he meets Pinky.

Pinky works at a mall, but is a kickass dancer on skates. Strong-headed, talented and fiercely ambitious, she aspires to rise above all the 'losers' living in her locality and carve a niche for herself. Two different personalities. Two different lives. Destined to meet.

LAFANGEY PARINDEY starts with gusto! Also, it moves on a singular path, without diversifying into unwanted sub-plots and superfluous characters. In fact, the story takes off at the commencement of the film itself and how Neil and Deepika's lives get intertwined makes for interesting viewing.

The film has some truly engaging moments and most of them are in its first hour. Sequences between Neil and Deepika after the accident are wonderful and keep you hooked. However, things begin to slacken in the post-interval portions, when the love story takes over and Neil and Deepika realize that they share a deeper bond. Just when things are about to go downhill, the climax happens and LAFANGEY PARINDEY is back on track. In fact, the drama in the finale - when Deepika and Neil have to perform the final act for a television show - is the highpoint of this film. The skating sequences and choreography are stunning and awe-inspiring.

Blemishes? Oh yes! The love story is conventional and dreary. Also, the investigating officer's track is half-baked and looks like an add-on. Besides, the film is embellished with a mediocre musical score [R. Anandh]. Also, the Bambaiya Hindi has its limitations.

Like I pointed out earlier, Neil is the wrong choice for this part. Also, he lacks the fire to carry off the role with flourish. LAFANGEY PARINDEY clearly belongs to Deepika Padukone, who suits the character and enacts it with such competence that it leaves you amazed. The pretty lass is only getting better with every film. Piyush Mishra is first-rate. Kay Kay Menon is okay in a brief role. The friends, each them, leave a mark. Especially Namit Das, who's wonderful. Shiamak Davar, Juhi Chawla and Javed Jafferi feature in brief roles.

On the whole, LAFANGEY PARINDEY may be predictable, but is engaging and entertaining nonetheless. A decent watch!

Download Lafangey Parindey MP3 Songs


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Friday, July 16, 2010

Lafangey Parindey - Music Review

Read more! Cast :: Neil Nitin Mukesh & Deepika Padukone

It is a clear Tarantino influence in the way title song 'Lafangey Parindey' begins. As the song moves ahead, one realises that this influence continues for a good duration of the song. Well, till the 100th second before the song takes an Indian route. However, except for the brief chorus period where 'Lafangey Parindey' gets into 'masti' and 'dhamaal' mood, the song stays on to be Western in its treatment with a soft rock mood prevalent throughout. A song about high attitude, this Ronit Sarkar sung number has an edgy feel to it though made strictly for the situation in the film. Given an extra push, it could have been yet another 'Dum' [Dum] or 'O Mera Khuda' [Prince].

It's the sound of guitar with a country feel to it that kick starts yet another song that has 'Lafanga' in it's lyrics. Titled 'Man Lafanga', this one brings in a new high in the album, something which is expected from Mohit Chauhan in each of his outings. Really, just the way Rahat Fateh Ali Khan brings in a different dimension to a song, same is the case with Mohit Chauhan as well who more often than not has something exciting to offer every time. No wonder, 'Man Lafanga' (pretty much carrying the same theme feel as in case of title song of Kaminey), makes a quick impression as well. Hear it on a repeat mode and it's easy on ears appeal would ensure that you won't be bored. A 'club mix' version - the only remix in the album - arrives later in the album as well but one would prefer the original any time.

The song which is all set to be chartbuster though is 'Dhatad Tatad'. If you have liked 'masala' songs from the 80s, you would be able to grab this one pretty quickly. On the same lines as the lesser heard track 'Aanan Faanan' (from Govinda's 'Hathkadi'), 'Dhatad Tatad' is a full-on-pace track that doesn't have a single dull moment. Lesser exposed singers like Shail Hada and Anushka Manchanda come together to get the mood right for this rooted number which is purely for the masses. If picturised well (which it promises to be), 'Dhatad Tatad' should be picked up by those who have loved Govinda songs from the past.

This time around, it is the word 'Parindey' which is extracted from the film's title and woven into a new song - 'Nain Parindey'. Shilpa Rao is known for her unconventional yet so-very-impressive voice and that is used to it's fullest in 'Nain Parindey' which offers some truly different lyrics. Ironically, the song is written for a girl (Deepika Padukone) who is blind and hence the very theme of 'Nain Parindey' holds even more significance. Expect the song to make an impact in the narrative of the film.

The name Suraj Jagan pretty much ensures that the outing to follow would be high on beats and tempo, what with his rock star image preceding him since the days of Rock On. Just like the title song 'Lafangey Parindey', this one too is basically a song about attitude and is pretty much about the gang of boys out there to rule the world. With a rock feel to the music here, 'Rang Daalein' sticks to the theme and aims for the target audience as youth.

Last to come is an instrumental 'Born To Fly' which has a truly international feel to it for most of it's part. With the sound of violin continuing to dominate for the first 50 seconds, it is a pensive outing before happiness seems round the corner due to guitar coming in. There is some fun in store a few moments later with the sound of 'Dhatad Tatad' coming in. High voltage and ensuring some good thrilling moments throughout the narrative of 'Lafangey Parindey', 'Born To Fly' is one of those few instrumentals that truly sum up the mood of the entire film in a matter of few minutes.

The positive factor about the album is that it stays on to young and urban throughout and brings to fore an entirely different sound that hasn't been heard in Pradeep Sarkar's Parineeta or Laaga Chunari Mein Daag. Add to the fact that 'Dhatad Tatad' truly rocks the show while 'Man Lafanga' and 'Nain Parindey' bring on a certain subtle mood to the proceedings and you know that it would be a good outing after all with Lafangey Parindey.

Download MP3 Songs


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Friday, November 6, 2009

Jail - Movie Review

Read more! Cast :: Neil Nitin Mukesh, Mugdha Godse, Manoj Bajpai, Arya Babbar, Chetan Pandit, Ghanshyam Garg, Rahul Singh.

Madhur Bhandarkar is identical with thought-provoking, hard-hitting films. Right from Chandni Bar to Fashion, the expert storyteller has made movies that hold tremendous shock-value. In turn, Madhur has cultivated a rich fan-base for his films.

With JAIL, Madhur not only makes you visit a prison, but also makes you peep into the psyche of a prisoner. In the recent past, Sriram Raghavan's Ek Hasina Thi and Undertrial narrated the travails and anguish of innocents who were falsely implicated in a case. Besides, Nagesh Kukunoor's Teen Deewarein too narrated the story of three convicts. But JAIL is different from the those films.

Besides watching a thought-provoking story on celluloid, one has also come to expect incredible performances in a Madhur Bhandarkar movie. And JAIL too is embellished with superb performances from its key actors.

JAIL transports you to a hitherto unknown world that most of us haven't seen and if this is its USP, it's also something that might go against it. Irrespective of how strong its merits are, a section of movie watcher like families/kids, who generally tilt towards feel-good/sunshine/entertainment-filled cinema, might skip this film due to its dry theme.

In a nutshell, JAIL mirrors a reality in true Madhur Bhandarkar style. It's hard-hitting, it's compelling, it's thought-provoking. The efficient storyteller has the courage to speak a new language in every film and for that very reason, JAIL should be on your agenda.

Parag Dixit (Neil Nitin Mukesh) is living a dream life -- a great job and a loving girlfriend (Mugdha Godse). However, things take an ugly turn when, after a series of unfortunate events, he suddenly wakes up in jail. Parag is perplexed. The only salvation he finds is in Nawab (Manoj Bajpai), a convict, who believes that Parag is innocent.

Soon, Parag is left with a choice, to either live a life with hordes of broken hearts and shattered souls amidst the prison walls or hope to see freedom some day.

JAIL involves you from the very start. The inmates, their crimes, their individual stories, you get drawn into a world that's very real. So real that you feel it's happening right in front of your eyes.

Madhur has a knack of narrating stories and he narrates the story of Parag Dixit with razor-edge sharpness. Besides, JAIL also enlightens you of the legal process, which also acts as an eye-opener.

At the same time, the legal procedures and also the behavioural pattern of the inmates tend to get repetitive after a point and that's when you start feeling restless. Nonetheless, the post-interval has some interesting twists-n-turns, like the convicts' escape from the police van; prior to that Neil and Manoj exchanging stares before Neil perches himself in the van; Neil getting thrown in a dark cell, spending the next few days in solitary confinement; a convict using the garbage van as the means to escape; another convict realising that his wife is now a cop's mistress.Also, the climax is touching and moves you.

Madhur hits the right note yet again. Madhur, Manoj Tyagi and Anuradha Tiwari's script involves you in most parts. Raghuvir Shekhawat's dialogues are true to life. There's no scope for music in a film like JAIL , but the three songs are smartly integrated in the storyline. Kalpesh Bhandarkar's cinematography is top notch. Special mention must be made of Nitin Chandrakant Desai's prison set, where the film is entirely shot.

Not only does Neil Nitin Mukesh deliver his best performance to date, but the performance would easily rank amongst the finest this year. He conveys the pathos and helplessness that this character demands with amazing understanding. He deserves all praise for his extra-ordinary portrayal.

Manoj Bajpai pitches in a memorable performance. In fact, the supremely talented actor is in form after a long, long time. He's subdued all through, which only goes to prove that he knows the craft so well. Mugdha Godse underplays her part beautifully.Also, she carries the non-glam look well.

Aarya Babbar is fantastic. This film should make people sit and notice this young actor. Chetan Pandit is first-rate. Rahul Singh is excellent, especially in the sequence when he confronts his wife. The actor who plays the part of Joe D'Souza is effective.

On the whole, JAIL is a well-made film from an expert storyteller.

Download MP3 Songs
01 - Jail (2009) - Sainya Ve @review-of-movies.blogspot.com
02 - Jail (2009) - Milke Yun Lagaa @review-of-movies.blogspot.com
03 - Jail (2009) - Bareily Ke Bazzar Mein @review-of-movies.blogspot.com
04 - Jail (2009) - Daata Sun Le @review-of-movies.blogspot.com
05 - Jail (2009) - Sainya Ve (Rock Version) @review-of-movies.blogspot.com
06 - Jail (2009) - Bareily Ke Bazzar Mein (Remix) @review-of-movies.blogspot.com
07 - Jail (2009) - Sainya Ve (Remix) @review-of-movies.blogspot.com
08 - Jail (2009) - Daata Sun Le (Contemporary Remix) @review-of-movies.blogspot.com


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