Showing posts with label Hrithik Roshan. Show all posts
Showing posts with label Hrithik Roshan. Show all posts

Thursday, November 18, 2010

Guzaarish - Movie Review

Read more! Cast :: Hrithik Roshan & Aishwarya Rai

Bollywood appears to be inclined towards exploring rare illnesses/disorders/disabilities, with directors casting megastars in characters to raise awareness about the lesser-known ailments. In GHAJINI, Aamir Khan had short-term memory loss [Anterograde Amnesia]. In PAA, Amitabh Bachchan played a child afflicted with Progeria. In MY NAME IS KHAN, SRK was shown suffering from Asperger Syndrome. In TAARE ZAMEEN PAR, Aamir Khan portrayed problems of Dyslexic children. In BLACK, Amitabh Bachchan was shown succumbing to Alzheimer's. In KARTHIK CALLING KARTHIK, Farhan Akhtar portrayed a Schizophrenic.

This is not the first time that master film-maker Sanjay Leela Bhansali has attempted a movie that has the protagonist suffering from a serious disability. In GUZAARISH, Hrithik Roshan suffers from Paraplegia, a complete paralysis of the lower half of the body, including both legs, usually caused by damage/injury to the spinal cord.

Bhansali has always been known for two things. The first thing is, of course, the visual splendour in his films [which was quite evident in HUM DIL DE CHUKE SANAM, DEVDAS and SAAWARIYA] and the second thing that he takes inspiration from various stories. The critically acclaimed BLACK was inspired from THE MIRACLE WORKER [a 1962 film] and SAAWARIYA from 'White Nights', a Russian short story.

There's talk that GUZAARISH is a remake of Christopher Nolan's Hollywood movie THE PRESTIGE, which, let me clarify, it is not. GUZAARISH brings back memories of two films, which may be coincidental: The Spanish Oscar and Golden Globe winning film MAR ADENTRO aka THE SEA INSIDE [2004], which, in turn, was based on a real-life story of Ramon Sampedro and WHOSE LIFE IS IT ANYWAY?, a television play which was later adapted into a play [theatre] and much later into a film [1981].

Bhansali has worked himself to the grind and his presence is felt in every frame of GUZAARISH. There is an inimitable intellect that Bhansali brings to his movies. Bhansali is also known to extract the best performances from his actors. In a light-hearted vein, I would go to the extent of saying that Bhansali has the ability to make a dumb man speak and a sightless man see. His devotion and dedication towards his craft is truly inspirational and motivating. In GUZAARISH, Bhansali puts behind all the glitter and glamour and comes up with yet another unique and sensitive story told through a series of flashbacks.

Final word? GUZAARISH is special in more ways than one. In my individualistic opinion, it easily ranks amongst Bhansali's best works so far. Just don't miss this one!

Set in Goa, it tells the story of an accomplished magician Ethan Mascarenhas [Hrithik Roshan]. Ethan suffers serious injuries when one of his magical trick goes horribly wrong, turning him to a Paraplegic. Confined to a wheel chair, Ethan becomes a Radio Jockey at an FM Station called Radio Zindagi. His show talks of hope, laughter and sunshine and it's difficult to imagine that the man behind it has been immobilized with a spinal injury for the last fourteen years of his life. Sofia [Aishwarya Rai Bachchan], a nurse, takes good care of him; they share a silent love.

Ethan files a petition in court for mercy killing. This decision of Ethan leaves Sofia stunned. Ethan takes the help of friend-lawyer Devyani [Shernaz Patel] to support his appeal. Even Ethan's mother Isabel [Nafisa Ali] supports him in his petition, although Ethan is persuaded by his physician Dr. Nayak [Suhel Seth] to retract his case. Alongside all this, Omar [Aditya Roy Kapur] enters Ethan's life with the aim of learning magic from him. Impressed by Omar's love for magic, Ethan agrees to pass on his legacy to him.

Only a sensitive raconteur can do absolute justice to a challenging subject like the one in GUZAARISH and Bhansali seems the right candidate for an extremely tricky theme like mercy killing/Euthanasia. The story is complex and can only be narrated by a storyteller who has the art of telling stories most convincingly. Sure, the protagonist in GUZAARISH wants to end his existence, but that doesn't mean the film is disheartening or unsettling. Clearly, the writing [screenplay: Bhavani Iyer and Bhansali] is smart, taut and absorbing.

GUZAARISH has a number of sequences that bear the unmistakable stamp of a genius. Sample these?

  • The courtroom sequence and Aishwarya's outburst towards the end of it.
  • The hearing of the petition at Hrithik's house.
  • Hrithik's act going wrong and the near-fatal accident.
  • The finale.

Any negatives? The generous usage of English in the narrative. The language is sure to act as a barrier in the hinterland specially. Agreed, the film is set in Goa, they are bound to speak that language, but despite everything, Hindi is a must for a pan-India appeal.

Irrespective of how his films fare at the box-office, Bhansali's films have always been embellished with rich and cherished music. The songs continue to linger in the hearts of the listeners with their dulcet and soothing tunes. After legendary Satyajit Ray and Vishal Bhardwaj, Bhansali is the next accomplished film-maker who has himself created the music of his film. The songs in GUZAARISH are more inclined towards poetry that's earthy and contemporary. However, it does take some time for the listeners to sense the pulse of the music. 'Tera Zikr Hai Ya Itra Hai' is a limerick to exquisiteness, 'Sau Gram Zindagi', with its philosophical tone, leaves a lasting impression, the title track 'Guzaarish' casts a spell on you and 'Udi' is, of course, memorable.

GUZAARISH has been magnificently shot. The indoors as well as outdoors [the gorgeous panorama] add so much to the film. There's no refuting that cinematographer Sudeep K. Chatterjee has created some really alluring and enthralling visuals. The very effective and subtle background score [Tubby and Parik] of GUZAARISH is its very backbone. The feelings of intrigue, anxiety, anguish and romance come across so well. In fact, for the very first time, I felt that I was not hearing the background score, I was feeling it. Dialogue [Bhavani Iyer and Vibhu Puri] belong to high standards that touch your soul. Costumes [Sabyasachi] are absolutely wonderful; they gel well with the setting and mood of the film.

Hrithik and Aishwarya are seen in a lackluster facade and that's what makes the characters so plausible. While Hrithik is seen sporting a beard and has even put on weight, Aishwarya is seen in sober outfits. In fact, the two actors have gone through a drastic appearance change and both pressurize you to believe that they are indeed Ethan and Sofia. It must be said that Hrithik and Aishwarya exude a certain dignity and elegance, much needed for a sensitive film of this magnitude and caliber.

It must have been an arduous task for Hrithik to carry off the Paraplegic character of Ethan Mascarenhas, but he depicts the part with flourish. It's a great risk in filmy norms to have the hero of the film almost entirely on a wheel chair, but Hrithik has never hesitated or been irresolute in putting himself to adverse conditions, in order to achieve excellence, in whatever character he chooses to depict. Kudos to Hrithik for accepting a role that's truly opposite to his larger-than-life image and portraying it with elan.

Aishwarya, as Ethan's nurse who is the epicenter of his world, has approached this role with rare understanding, not going overboard even once. So effective is she that she not only influences you but also compels you to believe that their love is solid in its quiet strength and also spirited in their verbal sparring. The sensational chemistry, which sizzled the silver screen in DHOOM 2 and JODHAA AKBAR and won hearts all over, sizzles yet again, but this time in a distinctive aspect.

Aditya Roy Kapur is truly outstanding in a pivotal character. Shernaz Patel is exceptional. Nafisa Ali makes her presence felt in a small but significant role. Suhel Seth is in terrific form. Moni Kangana Dutta is okay. Vijay Crishna [judge] is effective. Rajit Kapoor does complete justice to his role. Makarand Deshpande leaves an impression. Ash Chandler and Achint Kaur lend good support.

On the whole, GUZAARISH is an invigorating tale. Bhansali, as a film-maker, has scaled several notches above his past accomplishments to create a near-perfect cinematic experience. The highpoint of the motion picture is the magnificently penned story of an incapacitated and debilitated man who desires to end his being with dignity. The film sedu.ces the viewer with a strong emotional quotient, soulful music and of course, the crackling and wonderful onscreen chemistry between Hrithik and Aishwarya. Without doubt, GUZAARISH is one of the most profound, insightful and enriching dramas of the year.

Download Guzaarish MP3 Songs
01 - Guzaarish@review-of-movies.blogspot.com
02 - Sau Gram Zindagi@review-of-movies.blogspot.com
03 - Tera Zikr@review-of-movies.blogspot.com
04 - Saiba@review-of-movies.blogspot.com
05 - Jaane Kiske Khwaab@review-of-movies.blogspot.com
06 - Udi@review-of-movies.blogspot.com
07 - Keh Na Saku@review-of-movies.blogspot.com
08 - Chaand Ki Katori@review-of-movies.blogspot.com
09 - Daayein Baayein@review-of-movies.blogspot.com
10 - Dhundhli Dhundhli@review-of-movies.blogspot.com

01 - Guzaarish@review-of-movies.blogspot.com
02 - Sau Gram Zindagi@review-of-movies.blogspot.com
03 - Tera Zikr@review-of-movies.blogspot.com
04 - Saiba@review-of-movies.blogspot.com
05 - Jaane Kiske Khwaab@review-of-movies.blogspot.com
06 - Udi@review-of-movies.blogspot.com
07 - Keh Na Saku@review-of-movies.blogspot.com
08 - Chaand Ki Katori@review-of-movies.blogspot.com
09 - Daayein Baayein@review-of-movies.blogspot.com
10 - Dhundhli Dhundhli@review-of-movies.blogspot.com

Watch Guzaarish Videos




Thursday, October 14, 2010

Guzaarish - Music Review

Read more! Cast :: Hrithik Roshan & Aishwarya Rai
Despite a minimal instrumental backing, Sanjay Leela Bhansali proves his arranging acumen in the ambient title song. The harmonica, the violin have all been perfectly placed to make the song instantly addictive. Also helping it on its way is the rendition by KK and Shail Hada. That said, one cannot ignore the resemblance to tracks from some of his older movies, particularly HDDCS’s title song. Sau Gram Zindagi is a very 90s-sounding ghazal-based tune given a modern orchestral packaging, and coming in Kunal Ganjawala’s voice it works quite well. Shail Hada reappears with Rakesh Pandit to deliver the poem-like Tera Zikr. Though the poem-line rules out an attractive tune for the song per se, SLB kind of makes it up with the arrangement. And wonderful singing by the vocalists, especially Rakesh.

And then things start going wrong. In Saiba, Bhansali’s attempt to fuse the Latino sound with Vibhavari Joshi’s semiclassical vocals falls flat. Somehow they don’t seem to meld well. KK’s Jaane Kiske sounds quite a bit like the title song in its general feel, but lacks the quality the latter has in orchestration. The only thing that keeps the track going is KK’s reliability. The composer bounces back with the next track, Udi, where the Arabic elements in arrangement make for a wonderful listen coupled with Sunidhi’s exuberance.

In Keh Na Sakoon SLB once again returns to the orchestral melancholic theme of arrangement and ends up being one too many in that line. Shail Hada does a good job behind the microphone but that is not enough to prop this one up. Chaand Ki Katori is an excellent display of Harshdeep Kaur’s vocal brilliance and it is her singing for major part that makes the song enjoyable. Daayein Baayein sounds like a mellow version of Saawariya’s title song and works in a similar manner, KK doing the honors for a third time. Dhundhli Dhundhli is credited to Shankar Mahadevan everywhere on the net, who the vocalist definitely is not. Roop Kumar Rathore may be. Apart from that conflict of facts I found nothing very interesting about the track, the orchestral arrangement getting way too tedious by now.

A decent debut as composer from Sanjay Leela Bhansali which would have been much better had he cut down on the number of songs, especially the similar-genre ones. But that was the case with Saawariya too. One would have expected SLB to learn from his past mistakes. Hope he’s done that at least on the movie front.

Download Guzaarish MP3 Songs
01 - Guzaarish@review-of-movies.blogspot.com
02 - Sau Gram Zindagi@review-of-movies.blogspot.com
03 - Tera Zikr@review-of-movies.blogspot.com
04 - Saiba@review-of-movies.blogspot.com
05 - Jaane Kiske Khwaab@review-of-movies.blogspot.com
06 - Udi@review-of-movies.blogspot.com
07 - Keh Na Saku@review-of-movies.blogspot.com
08 - Chaand Ki Katori@review-of-movies.blogspot.com
09 - Daayein Baayein@review-of-movies.blogspot.com
10 - Dhundhli Dhundhli@review-of-movies.blogspot.com

01 - Guzaarish@review-of-movies.blogspot.com
02 - Sau Gram Zindagi@review-of-movies.blogspot.com
03 - Tera Zikr@review-of-movies.blogspot.com
04 - Saiba@review-of-movies.blogspot.com
05 - Jaane Kiske Khwaab@review-of-movies.blogspot.com
06 - Udi@review-of-movies.blogspot.com
07 - Keh Na Saku@review-of-movies.blogspot.com
08 - Chaand Ki Katori@review-of-movies.blogspot.com
09 - Daayein Baayein@review-of-movies.blogspot.com
10 - Dhundhli Dhundhli@review-of-movies.blogspot.com

Watch Guzaarish Videos


Saturday, May 22, 2010

Kites - Movie Review

Read more! Cast :: Hrithik Roshan, Kangna Ranaut, Barbara Mori, Kabir Bedi, Nick Brown, Yuri Suri

Hrithik Roshan treads the crooked path in the by-lanes of Las Vegas. He has married umpteen girls for the coveted green card and Barbara Mori happens to be one of his abandoned wives. But sparks fly between the two when they meet again, this time under different -- and dangerous -- circumstances. The mercenary couple are all set to marry a rich brother-sister duo (Kangana and Nick Brown) for their money but they soon discover they are in love and flee the rich and powerful siblings who are hell bent on avenging their dishonour. Will love surmount all odds?

Where's the chemistry? Where's the story? And where's the twist in the tale? Kites could have been that cross-over film that Bollywood has been dreaming about since long. Sadly, it flounders even before it can take off and soar....


So what's holding it down? First and foremost, the film completely lacks a story and unfolds as an unabashed chase film. Nothing wrong with that, for we have had a number of road movies that have thrilled and chilled us. But for that, there has always been a twist in the tale to provide an edgy feel to the film. Kites, on the other hand, does have Hrithik and Barbara spending the second half of the film as fugitives on the run, but their journey is so predictable, it fills you with a yawn. If the first half is a non-happening prolonged romance that unfolds in stares, glances, looks followed by some more stares, glances and looks between our protagonists (Hrithik and Barbara) as they try and seek out covert moments of togetherness in the palatial house of their respective bethrotheds (Kangana and Nick), the second half is a hit and run case which sees the fugitives hoping to make out 'neath the shadow of the gun. Both Barbara and Hrithik decide to give up their get-rich-quick plans and opt for penniless love instead, even though they know they will be pursued till the end of the world by the ditched brother-sister duo.

But hey, do they make out? Not really, unless you call Barbara yakking relentlessly in Spanish or Hrithik stitching up her arm beneath the rocks as romantic. Which brings us to the chemistry bit....Quite unlike the pre-release claims, the Mexican-Indian mix isn't exactly red hot chilli pepper stuff. Their romance hardly sizzles, with Mori spending most of her time flashing toothy grins and Hrithik failing to match up to his hot-hot bonding with Aishwarya Rai in Dhoom 2. Even the waterfall sequence in the jungle ends up as ekdum thanda!

It's the look of the film which carries it forward. Director Anurag Basu may have dipped in the emotional quotient of the film but he does create a visual feel and texture that has an international feel to it. The cinematography by Ayananka Bose has a grand texture and creates compelling montages, specially in the rain-drenched climax sequence. Performance-wise, the lead actors are just adequate and do not exactly set the screen ablaze, neither with their emotions nor with their passion. One almost feels sorry for Kangana, a fine actor who is reduced to a speechless accessory that is left to do what Hrithik and Barbara do -- stare, glance, look as the woman scorned -- for the short span that she's on. The audio track by Rajesh Roshan doesn't linger too, because the film mostly has a loud, repetitive background score by Salim-Suleiman interspersed with maybe just one forgettable number.

Download MP3 Songs
01 - Kites (2010) - Zindagi Do Pal Ki@review-of-movies.blogspot.com
02 - Kites (2010) - Dil Kyun Yeh Mera@review-of-movies.blogspot.com
03 - Kites (2010) - Tum Bhi Ho Wahi@review-of-movies.blogspot.com
04 - Kites (2010) - Kites In The Sky@review-of-movies.blogspot.com
05 - Kites (2010) - Fire@review-of-movies.blogspot.com
06 - Kites (2010) - Zindagi Do Pal Ki (Remix)@review-of-movies.blogspot.com
07 - Kites (2010) - Dil Kyun Yeh Mera (Remix)@review-of-movies.blogspot.com
08 - Kites (2010) - Tum Bhi Ho Wahi (Remix)@review-of-movies.blogspot.com
09 - Kites (2010) - Fire (English Version)@review-of-movies.blogspot.com

Watch Videos




Tuesday, March 30, 2010

Kites - Music Review

Read more! Cast :: Hrithik Roshan, Kangna Ranaut, Barbara Mori, Kabir Bedi, Nick Brown, Yuri Suri

Kites is an upcoming Hindi movie of Bollywood which releases in the direction of Anurag Basu. Kites movie is produced by Rakesh Roshan. The movie introduces Hrithik Roshan and Barbara Mori as the leading casts. Music director of Kites movie is Rajesh Roshan.

Kites definitely has an international appeal in terms of music. Songs will not dwell in you heart immediately but will start to sound wonderful after listening to it couple of times. Only 2 songs makes the good cut and both of them are by KK.

Zindagi Do Pal Ki” song of Kites music is sung by KK. The song begins with slow-paced poetic lyric. Music of the song is also very thematic which tunes on “Jhankar” instrument. Music of the song is very different and new for listeners. Music of “Zindagi Do Pal Ki” is just like slow-paced blowing air.

Zindagi Do Pal Ki (Remix)” song of Kites 2010 music is sung by KK. The remix version of song is also tunes on “Jhankar” instrument. Lyric of the song appears from background. Music of remix version is a little bit fast and blowing than its original version.

Dil Kyun Yeh Mera (Remix)” song of Kites Album is sung by K K. The remix song also begins with slow-paced clapping music. Lyric of the song is inspired by western influence. The song tunes on instrumental band music. Lyric of the song is very unique and different from other soundtracks of Kites 2010 Album.

Tum Bhi Ho Wahi (Remix)” song of Kites Hindi music is sung by Vishal Dadlani and Suraj Jagan. The song introduces “Jhankar” band music. Lyric of the song tunes in the background. The song introduces mix lyrics on fast-paced band music.

Tum Bhi Ho Wahi” song of Kites music is also sung by Vishal Dadlani and Suraj Jagan. There is not much difference in both versions of songs. Both songs tunes almost on the same lyrics. Music of the song is also very similar to its remix version.

Fire (English Version)” song of Kites Album is sung by Rajesh Roshan, Vishal Dadlani and Anushka Manchanda. The song begins with blinking music. The song introduces DJ music. It tunes on very fast instrumental music. “Fire (English Version)” song tunes on very fast-paced band music also. Music of the song is very compatible for Party night and Club music. Lyric of the song tunes on only background music. Music of the song is very focus and focal rather than its lyric.

Fire” song of Kites music is sung by Anirudh Bhola and Anushka Manchanda. Both version of songs are almost same – remix and original.

Kites In The Sky” song of Kites Album is sung by Hrithik Roshan and Suzan Demello. Lyric and music of the song is influenced by western music. The song is dedicated to the movie title. Music of the song also tunes on slow-paced “Jhankar” instrument.

Dil Kyun Yeh Mera” song of Kites music is sung by K K. The song is also very similar to its remix version.

Kites Album has introduced total 9 soundtracks with its remix versions. Lyric and music of Kites Album is really very new for Indian listeners. Music and lyric of the movie is inspired by western culture. All soundtracks of Kites music are really very appreciating.

Download MP3 Songs
01 - Kites (2010) - Zindagi Do Pal Ki@review-of-movies.blogspot.com
02 - Kites (2010) - Dil Kyun Yeh Mera@review-of-movies.blogspot.com
03 - Kites (2010) - Tum Bhi Ho Wahi@review-of-movies.blogspot.com
04 - Kites (2010) - Kites In The Sky@review-of-movies.blogspot.com
05 - Kites (2010) - Fire@review-of-movies.blogspot.com
06 - Kites (2010) - Zindagi Do Pal Ki (Remix)@review-of-movies.blogspot.com
07 - Kites (2010) - Dil Kyun Yeh Mera (Remix)@review-of-movies.blogspot.com
08 - Kites (2010) - Tum Bhi Ho Wahi (Remix)@review-of-movies.blogspot.com
09 - Kites (2010) - Fire (English Version)@review-of-movies.blogspot.com

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