Showing posts with label Anaitha Nair. Show all posts
Showing posts with label Anaitha Nair. Show all posts

Friday, October 22, 2010

Jhootha Hi Sahi - Movie Review

Read more! Cast :: John Abraham, Pakhi, R Madhavan, Raghu Ram, Anaitha Nair, Manasi Scott

Every film should be judged purely on the basis of its merits/demerits. Comparisons or drawing parallels with another film, even if it's helmed by the same director, is not right, in my opinion. But if the posters/billboards/newspaper ads/promotional material of JHOOTHA HI SAHI has an eye-catching line that screams 'From the director of JAANE TU YA JAANE NA', if not comparisons, the expectations from JHOOTHA HI SAHI do multiply five-fold, since JAANE TU YA JAANE NA was, in terms of economics, the biggest hit of 2008.

Sadly, Abbas Tyrewala's new offering JHOOTHA HI SAHI falls flat for this reason [it doesn't meet the expectations] as well as several other reasons. What comes across is unexciting, boring and lethargic. Moments make a love story work and JHOOTHA HI SAHI never reaches there. It lacks the fizz and heart, to put it bluntly. Also, the chemistry between the lead pair - John Abraham and Pakhi - is plastic.

Another department where the film fumbles, besides writing, is its music. It's an unspoken rule that love stories should be embellished with terrific music, but maestro A.R. Rahman's compositions in JHOOTHA HI SAHI are lifeless.

When Siddharth [John Abraham] wakes up one night to a call from a desperate man threatening to jump out of the window, he isn't prepared for what lies ahead. A mixed-up phone number. A desi suicide helpline in London. And various callers demanding that Sid give them a reason to live. Or else... Until one fateful night, Mishka [Pakhi] calls. And they both discover an unlikely bond.

Sid becomes her nameless friend. Her faceless philosopher. And she becomes his reason to rethink about life. Along the way, he also lies to her. Lies about his exciting adventures and daring escapades. The mountains he has climbed and the sharks he has tamed. Until the day they accidentally meet. And Sid falls in love.

How can he tell her the truth? That he's just a simple bookseller? With four friends, a small apartment and a girlfriend whom no one likes and he doesn't love.

The first and foremost thing that you expect from a film is an engrossing story and of course, a cohesive screenplay that keeps your attention alive for the next two hours. But the screenplay [Pakhi] is devoid of moments that bring a smile on your face at the end of the screening. Ideally, one would expect the focus to be on the principal pair, but the sub-plots [the friends and their sequences] dominate a good chunk of the film. And that, consequently, makes the film verbose, talk-heavy, tedious and verrry lengthy.

On retrospection, the female protagonist [Pakhi] comes across as a confused character, who finds stability in her life when John stages an entry, but goes back to her ex [Madhavan] for no particular reason. And the moment she does that, she drops John like a hot potato. That's not all, she, all of a sudden, dumps her ex too and goes back to John. Thanks to this reason, the character comes across as someone who's stone-hearted, cold and confused and that's also the reason why you don't jump with joy when the lovers unite towards the end.

Also, like I pointed out earlier, the multiple tracks in the film are a deterrent. The track of the gay couple is silly and unimaginative, while the relationship between the aggressive and dominating pregnant sister and her Japanese fiance is weird. Also, if the sensibilities of the film are Western and the humour British, the ending becomes Bollywoodish conveniently. The entire sequence at the bridge looks so filmy.

Director Abbas Tyrewala has filmed a number of sequences impeccably, but the writing is flaccid and the prime reason why the film fails to register an impact. Rahman's music is of the fast-forward variety and that's all the more surprising since the duo [Rahman and Tyrewala] had come up with a winning score in JAANE TU YA JAANE NA.

John makes a sincere attempt to look the part, but he's awkward, especially in sequences when he stammers. Pakhi is a complete miscast. She looks too matured and has her limitations as an actor. Amongst the sundry characters, Raghu Ram is noticeable. R. Madhavan should avoid such flimsy characters.

On the whole, JHOOTHA HI SAHI is an absolute letdown in terms of content. Given its high costs on one hand and weak merits on the other, the film will make a big hole in the pockets of its investors.


Download Jhootha Hi Sahi MP3 Songs
01 - JHS - Cry Cry@review-of-movies.blogspot.com
02 - JHS - Maiya Yashoda (Jamuna Mix)@review-of-movies.blogspot.com
03 - JHS - Hello Hello@review-of-movies.blogspot.com
04 - JHS - Do Nishaaniyan@review-of-movies.blogspot.com
05 - JHS - Pam Para@review-of-movies.blogspot.com
06 - JHS - I.ll Be Waiting@review-of-movies.blogspot.com
07 - JHS - Maiya Yashoda (Thames Mix)@review-of-movies.blogspot.com
08 - JHS - Do Nishaniyaan (Heartbreak Reprise)@review-of-movies.blogspot.com
09 - JHS - Call Me Dil@review-of-movies.blogspot.com

01 - JHS - Cry Cry@review-of-movies.blogspot.com
02 - JHS - Maiya Yashoda (Jamuna Mix)@review-of-movies.blogspot.com
03 - JHS - Hello Hello@review-of-movies.blogspot.com
04 - JHS - Do Nishaaniyan@review-of-movies.blogspot.com
05 - JHS - Pam Para@review-of-movies.blogspot.com
06 - JHS - I.ll Be Waiting@review-of-movies.blogspot.com
07 - JHS - Maiya Yashoda (Thames Mix)@review-of-movies.blogspot.com
08 - JHS - Do Nishaniyaan (Heartbreak Reprise)@review-of-movies.blogspot.com
09 - JHS - Call Me Dil@review-of-movies.blogspot.com

Watch Jhootha Hi Sahi Videos



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Saturday, September 18, 2010

Jhootha Hi Sahi - Music Review

Read more! Cast :: John Abraham, Pakhi, R Madhavan, Raghu Ram, Anaitha Nair, Manasi Scott

No, it’s never easy to comment on a song composed by Rahman. Reasons are many. For one, they’re never ‘bad.’ You’ll always like them at least a bit even if at the start they sound strangest thing in the world. Secondly, he has built so high reputation and expectations in people’s minds that it’s not easy to get to that level even with the best songs. And then, he has so many fans. But the worst thing is that u can not always be sure of disliking a song of his. Probably that is why he is Rahman.

The album starts with the child’s play called Cry Cry. A song that is going to be a hit simply because of it’s simplicity. Though I didn’t like the lyrics of the song much, the message the song gives is good and Rashid Ali and Shreya’s singing is sweet. Not too good in terms of music, but a likeable thing.

The next song of the album is Maiyya Yashoda, something to be enjoyed. Sung by Javed Ali and Chinmayi, the song sounds quite good, though somehow I didn’t enjoy Chinmayi’s singing so much as I generally do. It may be because of Javed Ali who sounds relatively more fun. Rahman sounds like in his old mood here, and though the song is nothing like Radha kaise na jale, and doesn’t get close to that standard too (especially due to the huge difference in the standard of lyrics), the song somehow reminds me of Lagaan. Anyway, likeable stuff again.

The next song, Hello Hello, is Rahman’s own Karthik calling Karthik. The song that talks of phone and is sung by Karthik, may not sound too impressive initially as all the beeps and ringing might be intriguing, but the melody of the song, even though short, sounds fine. The lyrics are good too and to top it all, Karthik sounds really smooth here. Especially the lines ‘mujhe chhod do, mujhe thaam lo, kho jaane do, mera naam lo, sab theek hai, ho jayega‘ go in a beautiful flow. Doesn’t sound like a very long term thing, but sounds good for now.
The next song Do Nishaniyaan brings us the wonderful combination of Rahman and Sonu again, and in their old avatar this time. A slow, soft, soulful song where you like the lyrics without even hearing them. You only get a jerk when he talks of a ‘phone’ among those dreamy words, but then, it becomes a part of the song soon. Anyway, something wonderful in the album that I know will be liked more every time I hear it. Do listen.
Pam pa ra is definitely not the best song of the album. Oh, you know what I mean. The song sung by Shreya Ghoshal with Suzanne D’Mello is neither as catchy as Lattoo and nor has the attitude of Aye Bachchoo, and still sounds something like them both. Do I need to say more?
The next, I’ve been waiting of Vijay Yesudas, though, is something to cherish again. Quite smooth with the English lyrics, quite good with Hindi, and easily shifting from one language to the other, Vijay makes me love his simple singing in the song. A good, part romantic, part classic, part experimental song from Rahman. Thanks, sir.
The next thing on the album is Maiyya Yashoda (Thames Mix). If I didn’t tell you, the earlier version was called Jamuna Mix. Of course a remix of Jamuna, Thames still sounds fine, and except that the singers’ voices sound a tiny bit too much in the background, the song is all good to ears.
The next on the list is the Heartbreak reprise of Sonu Nigam’s Do Nishaniyaan. This time Rahman and Abbas seem to have decided that the life of this song is lyrics and hence put them right on top. Sonu Nigam sings this one awesomely too and gets us one more small lovable song.
The end of the album comes with the same name it started with. I need not think twice to know that Abbas Tyrewala is a fan of Rashid’s voice and after a lovely Kabhi Kabhi Aditi and a lovable kahin to hogi wo, he starts and ends his new album with Rashid only. In Jhootha hi Sahi, while the first song of the album is the opener of the movie to public, the last one is a pure Rahman piece that is just lovable.
One of the best, or probably ‘the best’ song of the album, Call me dil-Jhootha hi Sahi is the double title song as it takes in both, the earlier title of the movie ‘Call me Dil’ and the final title ‘Jhootha hi Sahi.’ I won’t say much about the song, just listen to it.
Overall, Jhootha hi Sahi is quite good an album from Rahman. The music is good and while I was expecting the lyrics to go really down after cry cry, they aren’t that bad either. The album starts attractively, and ends beautifully. In between you get a wonderful ‘I’ve been waiting’, a soothing ‘Do Nishaniyaan.’

Download Jhootha Hi Sahi MP3 Songs
01 - JHS - Cry Cry@review-of-movies.blogspot.com
02 - JHS - Maiya Yashoda (Jamuna Mix)@review-of-movies.blogspot.com
03 - JHS - Hello Hello@review-of-movies.blogspot.com
04 - JHS - Do Nishaaniyan@review-of-movies.blogspot.com
05 - JHS - Pam Para@review-of-movies.blogspot.com
06 - JHS - I.ll Be Waiting@review-of-movies.blogspot.com
07 - JHS - Maiya Yashoda (Thames Mix)@review-of-movies.blogspot.com
08 - JHS - Do Nishaniyaan (Heartbreak Reprise)@review-of-movies.blogspot.com
09 - JHS - Call Me Dil@review-of-movies.blogspot.com

01 - JHS - Cry Cry@review-of-movies.blogspot.com
02 - JHS - Maiya Yashoda (Jamuna Mix)@review-of-movies.blogspot.com
03 - JHS - Hello Hello@review-of-movies.blogspot.com
04 - JHS - Do Nishaaniyan@review-of-movies.blogspot.com
05 - JHS - Pam Para@review-of-movies.blogspot.com
06 - JHS - I.ll Be Waiting@review-of-movies.blogspot.com
07 - JHS - Maiya Yashoda (Thames Mix)@review-of-movies.blogspot.com
08 - JHS - Do Nishaniyaan (Heartbreak Reprise)@review-of-movies.blogspot.com
09 - JHS - Call Me Dil@review-of-movies.blogspot.com


Watch Jhootha Hi Sahi Videos



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Friday, August 27, 2010

Aashayein - Movie Review

Read more! Cast :: John Abraham, Anaitha Nair, Sonal Seghal & Farida Jalal

Rahul Sharma (John Abraham) is all set to marry girlfriend Nafisa ( Sonal Sehgal) after amassing a huge sum in gambling. Life seems to be on song, until he discovers he has cancer. How does Rahul cope with the threat of death round the corner? Does he crumble and give up or does he manage to rediscover life in what's left of it....

The film may have been lying in limbo for over two years now, but this does not detract from the quality of this small and sensitive film that takes a look at terminal illness in a totally non-filmy fashion. Okay, the theme may be depressing: the big bad C-word and the attendant fears that go with it. But Kukunoor chooses to look at it from the other side of midnight.... From a vantage point where fear and despair are replaced by a life-sustaining desire to wrench out all the beauty from the world before curtain call by a bunch of death row patients.

When Rahul learns about his debilitated state, he runs away from his devoted girlfriend (Sonal) and ends up in a home for terminal patients. He hopes to hide his pain away from the people he loves and longs for. But the home literally turns out to be a home away from home where the hopeless man rediscovers new hope, new friends, unbound happiness, a lightness of being and a new purpose in life. But more than all this, he gets a chance to live out his favourite fantasy: playing Indiana Jones in a veritable temple of doom, complete with hat and whip. His job is wish fulfillment... a valiant attempt to ensure the inmates die with a smile on their lips.

But more than all this, it is the new relationship he strikes with the 17-year-old, tantrum-throwing Padma (Anaitha Nair) that adds a zing to the proceedings. Rahul and Padma kick up some fine chemistry with their unusual pairing which defies traditional definitions. Like true soul mates, they learn to share and respect each other's pain and grief, even as they revel in fun and games on the picturesque beach resort with its odd assortment of sad-and-happy inmates.

Don't go looking for popcorn stuff and Aashayein is sure to hold your attention with its gentle grace and dignity. Also, watch out for heart-warming performances by John Abraham and Anaitha Nair who lend credibility to the role of terminal patients celebrating life before the final salute.

Download Aashayein MP3 Songs



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Monday, July 26, 2010

Aashayein - Music review

Read more! Cast :: John Abraham, Anaitha Nair, Sonal Seghal & Farida Jalal

Since Aashayein is not a regular comedy or a boy-meets-girl film, one is at the least sure that the music too won't belong to the regular category. Not that there are hopes of anything extraordinary in the offing, more so because emphasis on music isn't quite high in Nagesh Kukunoor's films. While one is more or less sure that there isn't any chartbuster track that would be put on display in this soundtrack that has songs by Salim-Suleiman, Pritam and Shiraz Uppal, one still plays on 'Aashayein' to hear something striking that may just be round the corner.

It's a soft beginning for 'Mera Jeena Hai Kya' that has Pritam's brother-in-arm Neeraj Shridhar coming behind the mike. The mood is totally different from what one has heard of this combo in the past as the composer-singer 'jodi' gets into a lovey-dovey outing that has a soft rock base to it. Written by Sameer, the song sees an interspersion of English lyrics as well. A song about a protagonist who is looking forward to a better life due to arrival of his loved on, 'Mera Jeena Hai Kya' (which also appears in the 'remix version', just as most of the other songs in the album do) just about manages to be passable.

There is something peppier that comes along in the form of 'Dilkash Dildaar Duniya'. Even though the beginning is a little 90s with hint of Kumar Sanu/Babul Surpiyo tracks from the era gone by, 'Dilkash Dildaar Duniya' settles down to an extent once the song title makes an appearance. Yet another love song with an urban base to it, this one does have good energy that ensures that Aashayein manages to hang on. With Tulsi Kumar as the female voice behind the song, this Kumaar written track (appearing later in the 'remix version) too doesn't turn out to be that one chartbuster which could have helped Aashayein cover some distance.

It was just a few weeks back when a song titled 'Rabba' had arrived as a part of a non-film album. The same song is now heard in 'Aashayein' with Shiraz Uppal singing as well as composing it. The song sticks to the mood of the album and turns out to be one of the better numbers that one has heard so far. Of course this song too doesn't belong to the world of Bollywood and continues the non-filmy flavour of the album. A Shakeel Sohail written track, it makes for a decent hearing but that's about it.

The soft rock flavour continues with composers Salim-Suleiman and lyricist Mir Ali Husain taking over the album from this point on. First of their compositions here is 'Ab Mujhko Jeena' which reminds one of the non-film songs from the 90s. A song about looking up in life, it aims at being spirited and hence reminds of the sound of Iqbal, a film which again had Nagesh Kukunoor at the helm of affairs. As one realises by this point in the album, the songs are mainly meant for adding on to the background score rather than being the kind that would be chartbusters in isolation.

Next to arrive is Shafqat Amanat Ali who sings yet another solo track which goes as 'Shukriya Zindagi'. Just like most of the other numbers in the album, this one too is about thanking life for being beautiful, something which is the core essence of Aashayein. This time around, the song moves at a relatively slower pace and is far more attached to the Indian roots. No, you can't be heard singing around this track or dancing to its 'remix version' but its 'sad version' may just work for those who like their films to over overtly emotional.

The saddest song in the album is 'Pal Mein Mila Jahan' which reminds one of the kind of compositions that were created in the 60s. This song about finding happiness and loosing it subsequently comes in two versions - one by Shankar Mahadevan and another by Shreya Ghoshal. However, yet again the song is only for the film's narrative. Also, its inherent sad appeal means that it would find very few takers and that too only after audience has seen the film.

Last to arrive is Mohit Chauhan's 'Chala Aaya Pyar' which carries on the sad mood that has been created in the album. In fact one realises that while the start of Aashayein was still on a relatively happier note, the latter part takes a pensive route; something that doesn't quite end the album on a happy note.

Aashayein was never meant to be an album for the quintessential Bollywood music followers. However, even otherwise it just about manages to pass muster. It has its chances to find some takers only if the film succeeds at the box office.

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